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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Lee. Jae-Bok. 2003. A Study on the walking and Modernity. As Found in Lee Sangs Novels. URIMALGEUL : The Korean Language and Literature 29. 399-428. The reason why many of the papers, reaching about 600 pieces, on Lee Sangs literature leave much to be desired despite their vast numbers, is that they excluded the body which can be said to be the foundation of his literature. The modern times or modernity revealed in his literature, particularly his novels. is the substance expressed by or embodied by the body. Experiencing modern times and modernity through the body means that his novels reveal the essence of modern times and modernity. Its because the body shows all the phenomenon and essence, the cognition and practice, the consciousness and unconsciousness. the process and reality of modern times. For this reason, this study explores the modern times and modernity that his novels reveal by paying special attention to the experience in the body.
It is not different from drawing a birds-eye view of modern times with the body that the body carries out improvised walking from an alcove to Kyongsung, a modern city space. By drawing out a birds-eye view of the opaque and uncertain modern times represented by gray darkness with the body, the speaker reveals not only the bounds of our modern times and modernity but also the limits to their generals. Their intensive representation is the desire for soaring revealed through abstracted and artificialized wings. This desire for soaring should be viewed not as escape to the abstracted and artificialized world but as desire for passing over it. He tries to realize the desire for real modern times by moving to Kyongsung, but it results in not an illusion but disillusionment.
A series of these facts that Lee Sang shows through his novels can be viewed as both a drama of the body and that of modernity in itself. He explored the universal aspects of modern generals as well as the special aspects of our modern times or modernity, through a way of speaking and thinking with the body. We cannot say too much that his exploration on modern times and modernity was based on the body. If it may be said to be true modernity to re-create the self or the subject that was regnant as a source of self-evidence in the thought of the body and re-form the understanding of our existence, he is a modernist in its real meaning. It would not be a sound appreciation of Lee Sangs novels and literature that some treat him as if he were a schizophreniae by emphasizing an aspect of the dissociation of consciousness, or others regard him as a tragic hero who wandered about the surface of a pale mind and finally passed away without getting out of languor and doubt or as a prosaic stylist who tried to escape to the abstract and geometric world.
Though concerns about Lee Sang are spreading in gear with discussions on modernism or modern and postmodern ages, the reason why those discussions repeatedly expand and reproduce only an intellectual amusement in a cognitive level is that they didnt see the body, the essential foundation of his literature. Once, Kim Soo-young commented on Park Tae-jins poetry that a physical understanding should be preceded to truly understand modernity. His comment has been regarded as a kind of a classic in writing in the name of poetics of the whole body. It would be said that .the ground for calling Kim Soo-young a real modernist is on this understanding of modernity and the body, rather than on his avant-garde, experimental and modern sense. But theres no basis for concluding that Kim Soo-young is a poet who wrote a poem with his whole body though he shows an understanding of modernity and the body. This is rather because the cognition of speaking and thinking with the body is not fu1ly physicalized than because in its nature of genre, in poetry the pains of the body before language are not revealed concretely in a textual level.
While many of critics make comment that Lee Sangs literature lacks the social consciousness, they dont doubt its authenticity. Its because he embodies speaking with the body. It can be said that the true modernist or modernity is none other than Lee Sang himself and his novels. Our society is in modern ages, and though it switches over to postmodern ages the problems of the body and modernity Lee Sang showed us would exist as an important basis for understanding the world. In this sense, the problems of the body and modernity revealed by his novels wi1l be a certain standard in discussing modern ages and modernity, and further, postmodern ages and postmodernity that our literature as we1l as his poetry and essays reveals. (Hanyang University)
It is not different from drawing a birds-eye view of modern times with the body that the body carries out improvised walking from an alcove to Kyongsung, a modern city space. By drawing out a birds-eye view of the opaque and uncertain modern times represented by gray darkness with the body, the speaker reveals not only the bounds of our modern times and modernity but also the limits to their generals. Their intensive representation is the desire for soaring revealed through abstracted and artificialized wings. This desire for soaring should be viewed not as escape to the abstracted and artificialized world but as desire for passing over it. He tries to realize the desire for real modern times by moving to Kyongsung, but it results in not an illusion but disillusionment.
A series of these facts that Lee Sang shows through his novels can be viewed as both a drama of the body and that of modernity in itself. He explored the universal aspects of modern generals as well as the special aspects of our modern times or modernity, through a way of speaking and thinking with the body. We cannot say too much that his exploration on modern times and modernity was based on the body. If it may be said to be true modernity to re-create the self or the subject that was regnant as a source of self-evidence in the thought of the body and re-form the understanding of our existence, he is a modernist in its real meaning. It would not be a sound appreciation of Lee Sangs novels and literature that some treat him as if he were a schizophreniae by emphasizing an aspect of the dissociation of consciousness, or others regard him as a tragic hero who wandered about the surface of a pale mind and finally passed away without getting out of languor and doubt or as a prosaic stylist who tried to escape to the abstract and geometric world.
Though concerns about Lee Sang are spreading in gear with discussions on modernism or modern and postmodern ages, the reason why those discussions repeatedly expand and reproduce only an intellectual amusement in a cognitive level is that they didnt see the body, the essential foundation of his literature. Once, Kim Soo-young commented on Park Tae-jins poetry that a physical understanding should be preceded to truly understand modernity. His comment has been regarded as a kind of a classic in writing in the name of poetics of the whole body. It would be said that .the ground for calling Kim Soo-young a real modernist is on this understanding of modernity and the body, rather than on his avant-garde, experimental and modern sense. But theres no basis for concluding that Kim Soo-young is a poet who wrote a poem with his whole body though he shows an understanding of modernity and the body. This is rather because the cognition of speaking and thinking with the body is not fu1ly physicalized than because in its nature of genre, in poetry the pains of the body before language are not revealed concretely in a textual level.
While many of critics make comment that Lee Sangs literature lacks the social consciousness, they dont doubt its authenticity. Its because he embodies speaking with the body. It can be said that the true modernist or modernity is none other than Lee Sang himself and his novels. Our society is in modern ages, and though it switches over to postmodern ages the problems of the body and modernity Lee Sang showed us would exist as an important basis for understanding the world. In this sense, the problems of the body and modernity revealed by his novels wi1l be a certain standard in discussing modern ages and modernity, and further, postmodern ages and postmodernity that our literature as we1l as his poetry and essays reveals. (Hanyang University)
목차
1. 머리말
2. 몸과 근대적 도시성에 대한 성찰
3. 맺음말
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