지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
오류제보하기
As a result of looking into the dresses and ornaments of the five musicians and relief works of figures on
Geurndongdae-hyangro, an incense bumer created in the Baekje Dynasty, the following findings were aCQuired:
In general, women musicians wear Po based on Yu and Sang, while men musicians wear Po based on Yu and Go.
Musician's Po has very wide sleeves that are characterized by much wider sleeve holes than armholes. And Hute player's
Go has a large groin trousers that is characterized by bound holes of trouser, while musician's Sang is widely wrinkled.
There are lines on ooIlar, sleeve holes and edges of Yu and Po. The method to put on belt is not limited to specific procedures, but no belt is fastened around waist or chest. The common method to fasten belt showed pre-or post-connection. For Imjae, there is a mixture of right and left gusset.
For straightening Yu and Po, both right and left gusset correspond to each other. For the length of Po, there are two
types such as a little longer Po than knee and very long Po enough to cover ankles.
For the hair style of personal figures, most women figures have braided hair(Pyeonbal) down on the back of their head
or bound their hair up on a position of rear head.
For personal figures, Yu has narrow and tight sleeves(Tongsu and Chaksu) in appearance. These characteristics are shown in some figures with rhythmic movement and equestrian hunter 2. whose sleeves are characterized by much wider sleeve holes than armholes.
Equestrian and hunting figures wear their upper garment with narrow and tight sleeves(Tongsu and Chaksu). Moreover. both of them wear same narrow-holed trousers called Gung-go.
Geurndongdae-hyangro, an incense bumer created in the Baekje Dynasty, the following findings were aCQuired:
In general, women musicians wear Po based on Yu and Sang, while men musicians wear Po based on Yu and Go.
Musician's Po has very wide sleeves that are characterized by much wider sleeve holes than armholes. And Hute player's
Go has a large groin trousers that is characterized by bound holes of trouser, while musician's Sang is widely wrinkled.
There are lines on ooIlar, sleeve holes and edges of Yu and Po. The method to put on belt is not limited to specific procedures, but no belt is fastened around waist or chest. The common method to fasten belt showed pre-or post-connection. For Imjae, there is a mixture of right and left gusset.
For straightening Yu and Po, both right and left gusset correspond to each other. For the length of Po, there are two
types such as a little longer Po than knee and very long Po enough to cover ankles.
For the hair style of personal figures, most women figures have braided hair(Pyeonbal) down on the back of their head
or bound their hair up on a position of rear head.
For personal figures, Yu has narrow and tight sleeves(Tongsu and Chaksu) in appearance. These characteristics are shown in some figures with rhythmic movement and equestrian hunter 2. whose sleeves are characterized by much wider sleeve holes than armholes.
Equestrian and hunting figures wear their upper garment with narrow and tight sleeves(Tongsu and Chaksu). Moreover. both of them wear same narrow-holed trousers called Gung-go.
목차
Abstract
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 백제금동대향로의 출토배경
Ⅳ. 향로에 부조된 인물에 나타난 복식
Ⅴ. 결론
참고문헌
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UCI(KEPA) : I410-ECN-0101-2009-592-014381479