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초록· 키워드
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The genre painting is defined as painting which depicts daily lives of people, Customs. the subject matter of the genre painting. refer to the way people are fed. clad and housed and all the other everyday practices which have been formulated as mankind has lived together in a society or the entity of common customs and the genre painting expresses a variety of scenes from everyday lives of people, Accordingly. it is possible to find out what the lives of people were like at the time a certain genre painting was drawn in return, In particular. characters described in genre paintings let us know trends of costume of the day and research on costume history conducted based on genre paintings serves as a valuable source of information through which we can learn the history of clothing in the most accurate and realistic way, Studies of genre painting and costume have been performed by many but not much has been done on paintings produced by Kim Junkeun (pen name Gisan). a genre painter in the late 19th century of Korea. and other relevant materials related to the history of costumes as there are not sufficient records on Kim and his paintings and Kim has not been properly appreciated by the painting circles of Korea, The objective of this study is to research the way people of the time dressed and especially. costume colors and changes in costume colors brought about by chaotic circumstance at the time by analyzing Kim's genre paintings,
This study has found out that costume colors of Korea were primarily composed of blue. red. yellow. white and black accordingto the Yin and Yang and the Five Elements Theories and that baji jeogori and chima jeogori in sosaekwere worn as the basic costume. which is the reason why the Korean people are referred to as "the white-clad people", It has been also revealed that a variety of secondary colors were used in clothes worn by the common people in the late Chosun period despite various restrictions on costume colors imposed on them due to toadyism toward China. in addition, this study lets us know that as a result. commoners were allowed to wear nokeuihongsang and hwangeuichungsangin the late Chosun era. In particular. clothes in red series were frequently worn in genre paintings that this studY analyzed and it is
explained by the ease of costume color restrictions on red for the commoners as King Gojong in the late Chosun era
started to wear yellow royal robes instead of red ones. Even though various costume colors were used with change over time, sosaek or white was most frequently used in baji jeogori and chima jeogori. the basic costume, and it proves that the Korean peopie have always favored the white color most. thereby being called "the white-clad-folk".
This study has found out that costume colors of Korea were primarily composed of blue. red. yellow. white and black accordingto the Yin and Yang and the Five Elements Theories and that baji jeogori and chima jeogori in sosaekwere worn as the basic costume. which is the reason why the Korean people are referred to as "the white-clad people", It has been also revealed that a variety of secondary colors were used in clothes worn by the common people in the late Chosun period despite various restrictions on costume colors imposed on them due to toadyism toward China. in addition, this study lets us know that as a result. commoners were allowed to wear nokeuihongsang and hwangeuichungsangin the late Chosun era. In particular. clothes in red series were frequently worn in genre paintings that this studY analyzed and it is
explained by the ease of costume color restrictions on red for the commoners as King Gojong in the late Chosun era
started to wear yellow royal robes instead of red ones. Even though various costume colors were used with change over time, sosaek or white was most frequently used in baji jeogori and chima jeogori. the basic costume, and it proves that the Korean peopie have always favored the white color most. thereby being called "the white-clad-folk".
목차
Abstract
Ⅰ. 서론
Ⅱ. 조선시대 풍속화의 복식사적 의미
Ⅲ. 기산풍속화를 통해 본 조선후기 복식분석
Ⅳ. 기산 풍속화에 나타난 조선후기 복식색
Ⅴ. 결론
참고문헌
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