지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This article examines the practice of Korean folksongs among Soviet Koreans by exploring how the musical traditions of ethnic minority formed an evolved in the early 20th century.
Many examples illustrate the Korean traditional folksongs transmitted by first- and second-generation Soviet Koreans, such as 〈Heungbuga (Farmer’s Song)〉, 〈Sarangga (Song of Love)〉 from pansori, 〈Hwachodanga (Flower Song〉, 〈Jebiga (Song of Swallow)〉, 〈Gisaeng Jeomgo (Song of Entertainers)〉, 〈Jung taryeong (Song of Buddhist Monk)〉, 〈Seongju Puri (Song of Shaman)〉, 〈Beteulg (Weaving Song)〉, 〈Youngbyong (Song of Yeoungbyeon)〉, 〈Banga taryeong (Song of Mills)〉, 〈Kungmunpuri (Explaining the Korean Alphabet)〉, 〈Tokki Hwasang (Portrait of a Rabbit)〉, These are but a few of the many popular songs passed on by Koreans. There were even 〈Simbanggok’ (the Oldest Instrument Solo Piece Songs〉 which were transmitted a long time ago.
My recent fieldwork in Kazakhstan and Uzbekistan confirms that Soviet Koreans sang the following repertoires: 〈Arirang〉, 〈Dorazi〉, 〈Nodeul Gangbyeon (Willow Riverside)〉, 〈Ulsan Taryeong (Song of Ulsan)〉, 〈Sobangul Taryeong (Song of Cow Bell)〉, all popular Korean traditional songs which are still sung in the Central Asian region. The following examples of songs in the Soviet-Korean repertoire generally maintained Korean traditional melodies, while commonly changing the text: 〈Hamkyeondo Nongbuga (Farmer Song of Hamgyeong Province)〉, 〈Banga Taryung (Song of Mill)〉, 〈Kungmun Puri (Song of Korean Alphabet)〉, 〈Beteulga (Song of a Lloom)〉, 〈Youngbyunga (Song of Youngbyun), 〈Seongju Puri (Song of Shaman)〉. Through oral transmission of Korean traditional songs, the original lyrics and melodies were changed. While most songs in the repertoire generally kept the original structure of the music and text, there were many instances where mistakes were made within the text. In Korean folksongs, Chinese characters were frequently used in the song text. The second generation of Soviet Koreans generally did not learn Chinese characters. As a result, one currently hears many mistakes by professional and amateur musicians alike in Central Asia. This phenomenon occurred quite often in transmitted Korean traditional music texts.
In fact, Soviet-Koreans who had participated in building socialist society like to sing songs which were composed with political purpose of praising the superiority of communism. These songs such as revolutionary song, kolkhoz song and tractor man’s song emphasized joyfulness of labor and praised the superiority of communism. The function of traditional Korean folksongs were changed from labor song to entertainment song.
The formal study of Soviet-Korean songs has significant meaning, because it serves as a historical record of the lives of these people. It contains the expression of their life experience in foreign countries, such as the former Soviet Union, which includes current-day Kazakhstan and Uzbekistan.
Many examples illustrate the Korean traditional folksongs transmitted by first- and second-generation Soviet Koreans, such as 〈Heungbuga (Farmer’s Song)〉, 〈Sarangga (Song of Love)〉 from pansori, 〈Hwachodanga (Flower Song〉, 〈Jebiga (Song of Swallow)〉, 〈Gisaeng Jeomgo (Song of Entertainers)〉, 〈Jung taryeong (Song of Buddhist Monk)〉, 〈Seongju Puri (Song of Shaman)〉, 〈Beteulg (Weaving Song)〉, 〈Youngbyong (Song of Yeoungbyeon)〉, 〈Banga taryeong (Song of Mills)〉, 〈Kungmunpuri (Explaining the Korean Alphabet)〉, 〈Tokki Hwasang (Portrait of a Rabbit)〉, These are but a few of the many popular songs passed on by Koreans. There were even 〈Simbanggok’ (the Oldest Instrument Solo Piece Songs〉 which were transmitted a long time ago.
My recent fieldwork in Kazakhstan and Uzbekistan confirms that Soviet Koreans sang the following repertoires: 〈Arirang〉, 〈Dorazi〉, 〈Nodeul Gangbyeon (Willow Riverside)〉, 〈Ulsan Taryeong (Song of Ulsan)〉, 〈Sobangul Taryeong (Song of Cow Bell)〉, all popular Korean traditional songs which are still sung in the Central Asian region. The following examples of songs in the Soviet-Korean repertoire generally maintained Korean traditional melodies, while commonly changing the text: 〈Hamkyeondo Nongbuga (Farmer Song of Hamgyeong Province)〉, 〈Banga Taryung (Song of Mill)〉, 〈Kungmun Puri (Song of Korean Alphabet)〉, 〈Beteulga (Song of a Lloom)〉, 〈Youngbyunga (Song of Youngbyun), 〈Seongju Puri (Song of Shaman)〉. Through oral transmission of Korean traditional songs, the original lyrics and melodies were changed. While most songs in the repertoire generally kept the original structure of the music and text, there were many instances where mistakes were made within the text. In Korean folksongs, Chinese characters were frequently used in the song text. The second generation of Soviet Koreans generally did not learn Chinese characters. As a result, one currently hears many mistakes by professional and amateur musicians alike in Central Asia. This phenomenon occurred quite often in transmitted Korean traditional music texts.
In fact, Soviet-Koreans who had participated in building socialist society like to sing songs which were composed with political purpose of praising the superiority of communism. These songs such as revolutionary song, kolkhoz song and tractor man’s song emphasized joyfulness of labor and praised the superiority of communism. The function of traditional Korean folksongs were changed from labor song to entertainment song.
The formal study of Soviet-Korean songs has significant meaning, because it serves as a historical record of the lives of these people. It contains the expression of their life experience in foreign countries, such as the former Soviet Union, which includes current-day Kazakhstan and Uzbekistan.
목차
Ⅰ. 머리말
Ⅱ. 고려인 민요의 전승현황
Ⅲ. 고려인 민요변천의 과정
Ⅳ. 결론
〈참고문헌〉
참고문헌 (17)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
초등 국악교육을 위한 유희요의 음악적 특성과 분포 연구
한국민요학
2005 .12
-
A Song of Nature
International Invitation Exhibition of Color Works
2017 .11
-
부산지역 민요의 유형과 성격
한국민요학
2003 .06
-
한국노동요의 기능과 역할
한국민요학
2008 .12
-
서사무가의 편입가요 수용양상연구
한국민요학
2003 .12
-
중국(中國) 동족(侗族) 민요의 존재 양상과 전승 요인
한국민요학
2012 .04
-
전래동요 ‘놀리는 노래’의 음악 분석 연구
한국민요학
2005 .12
-
경상북도 밭매는소리의 유형 분석
한국민요학
2007 .12
-
서부경남에 전승된 제주도 〈해녀 노 젓는 소리〉의 음악적 고찰
한국민요학
2005 .06
-
조선족 ‘민간가요’의 사회적 생산과 태양촌 개척이주민의 수용 : 연변 왕청현 동신향 천교령진 태양촌 사례를 중심으로
한국민요학
2009 .12
-
무가 〈당금애기〉와 민요 ‘중노래ㆍ맏딸애기’류의 교섭양상과 변이
한국민요학
2008 .08
-
북한의 체제 성립기 아동가요와 민족적 성격
한국민요학
2020 .04
-
충북 여성 민요의 정서 표현양상과 현실의식
한국민요학
2008 .04
-
한국 근대 민요에 관한 연구 경향과 쟁점
한국민요학
2009 .12
-
일제 강점기 민요 창작론과 창작민요의 특성
한국민요학
2008 .12
-
전라남도 무형문화재 지정 민요의 전통성과 현대적 변용 : 어업요를 중심으로
한국민요학
2017 .04
-
영남권 〈논매는소리〉의 전승양상과 사설구성의 특질
한국민요학
2003 .06
-
민요와 창작
한국민요학
2002 .06
-
민요 웹사이트의 구축 현황과 문제점
한국민요학
2007 .06
-
조선족 논농사요의 존재 양상
한국민요학
2011 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-673-017603425