지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Chinese writing, a written language communally employed in Eastern Asia, was introduced to Korea during the Three Kingdoms Period(1 B.C-A.D. 7) and Buddhism was spread to Korea from the Qin Dynasty in the second year (A.D. 372) of King Sosurim's reign. Also, 'sanak' and 'baekhui', an aggregate of several plays commonly conducted in Eastern Asia, were introduced to Korea at this times. This is proved by Chinese books, 'Huhanseo' and Dongiyeoljeon' saying "Muje, Chinese king destroyed Korea, regarded Koguryo as a region of China, and granted musicians and performers and by the Goguryeo mural paintings that depicted the playing scenes.
Many plays corresponding to 'sanak' and 'baekhui', an aggregate of several plays were painted in the Koguryo mural paintings. The tombs are presumed to be constructed from the mid 3th through 5th centuries. Therefore, it can understood that 'sanak' and 'baekhui' were already prevalent in the Koguryo Kingdom from before Koguryo music appeared in Chinese records that it was played one of Chinese court music in the early Emperor Gae's reign in the Sui Dynasty(581-617). Koguryo adopted the arabian music via Northern Zhou, but the plays originated from the Arabian countries were already painted on the mural paintings before that.
'Sanak' and 'baekhui' were an ordinary play conducted as a synthetic arts not to itemize it into several parts such as dance, music, drama, athletics, and martial arts. They were largely classified into several items: (1) acrobatics and stunt, (2) magic, (3) a mask play playing the role of animals, (4) imitating the action of animals, (5) marionette, (6) gag, (7) a play accompanied with music and dance, (8) musical instrument performance.
The reason that 'sanak' and 'baekhui' originated in foreign countries were early introduced to Koguryo is that Koguryo had an active trade with foreign countries. There is a possibility that the Arabian people were played with the Koguryo people in that one of wrestlers painted on the mural painting of the 'gakjeochong' tomb was a foreigner coming from the Arabian country and a dancer looking like a foreigner wad shown in the 'dongsu' tomb, 'anak' tomb no. 3.
Many plays corresponding to 'sanak' and 'baekhui', an aggregate of several plays were painted in the Koguryo mural paintings. The tombs are presumed to be constructed from the mid 3th through 5th centuries. Therefore, it can understood that 'sanak' and 'baekhui' were already prevalent in the Koguryo Kingdom from before Koguryo music appeared in Chinese records that it was played one of Chinese court music in the early Emperor Gae's reign in the Sui Dynasty(581-617). Koguryo adopted the arabian music via Northern Zhou, but the plays originated from the Arabian countries were already painted on the mural paintings before that.
'Sanak' and 'baekhui' were an ordinary play conducted as a synthetic arts not to itemize it into several parts such as dance, music, drama, athletics, and martial arts. They were largely classified into several items: (1) acrobatics and stunt, (2) magic, (3) a mask play playing the role of animals, (4) imitating the action of animals, (5) marionette, (6) gag, (7) a play accompanied with music and dance, (8) musical instrument performance.
The reason that 'sanak' and 'baekhui' originated in foreign countries were early introduced to Koguryo is that Koguryo had an active trade with foreign countries. There is a possibility that the Arabian people were played with the Koguryo people in that one of wrestlers painted on the mural painting of the 'gakjeochong' tomb was a foreigner coming from the Arabian country and a dancer looking like a foreigner wad shown in the 'dongsu' tomb, 'anak' tomb no. 3.
목차
Ⅰ. 머리말
Ⅱ. 고구려의 대외 교섭과 散樂ㆍ百戱의 전래
Ⅲ. 고구려 고분벽화의 연희 장면
Ⅳ. 문헌 기록에 나타나는 고구려의 연희
Ⅴ. 마무리
〈Abstract〉
「壁畵를 通해서 본 高句麗의 놀이文化」討論文
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UCI(KEPA) : I410-ECN-0101-2009-911-019477073