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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In art, the tradition always has the ultimate task to get over it. The acquisition of tradition is only a foundation to construct one's own world since 'art' aims toshow one's own world overcoming the tradition at the end. The tradition can maintain its vitality only when it is endlessly reinterpreted and reborn.
The issue of tradition is associated with the issue of identity. The issue of identity contains the subject how to reveal the attribute distinguishing from others. It also connotes a task called the possession of contemporaneousness overcoming the simple identity as spacious position that shares the same age. After the modern age, the boundaries between continents are collapsed and various mixture of thoughts are expressed. These days, how can we satisfy the possession of contemporaneousness along with expressing one's own value? The answer is also in the artistic proposition that requires the constant newness.
In Korean painting, the matter of tradition is the matter of time being progressed by the diachronicness in the progress of development of history. And the matter of identity is the matter of space having the synchronic character. One is the matter of inside of the racial concept formed by the modernization, and the other is the matter of outside of the racial concept. However, these matters are ultimately one phenomenon like the front and rare side of a coin. The dichotomy of the tradition and identity is for convenience of analysis in order to see two different views on one phenomenon. And it does not mean that two matters exist separately. This is because these two matters happen on a same stage called the process of modernization.
In this unbreakablerelationship of the tradition and identity, the matter of tradition is prioritized than the matter of identity since tradition provides modernistic identity. Like the matter of racial identity is artificially fabricated by the ideal of the nation-state, the matter of tradition is also standing on the value of trust and faith. 'Tradition' is a thing believed as tradition, and the value system of belief depends on whether it is valuable to provide one's current identity and social coessentiality or not. As like to decide the tradition and identity of nowadays Korean painting 1S the aspect of our life, the future of Korean painting and the understanding on the organization of society and the way of thinking are inseparably related to each other.
The issue of tradition is associated with the issue of identity. The issue of identity contains the subject how to reveal the attribute distinguishing from others. It also connotes a task called the possession of contemporaneousness overcoming the simple identity as spacious position that shares the same age. After the modern age, the boundaries between continents are collapsed and various mixture of thoughts are expressed. These days, how can we satisfy the possession of contemporaneousness along with expressing one's own value? The answer is also in the artistic proposition that requires the constant newness.
In Korean painting, the matter of tradition is the matter of time being progressed by the diachronicness in the progress of development of history. And the matter of identity is the matter of space having the synchronic character. One is the matter of inside of the racial concept formed by the modernization, and the other is the matter of outside of the racial concept. However, these matters are ultimately one phenomenon like the front and rare side of a coin. The dichotomy of the tradition and identity is for convenience of analysis in order to see two different views on one phenomenon. And it does not mean that two matters exist separately. This is because these two matters happen on a same stage called the process of modernization.
In this unbreakablerelationship of the tradition and identity, the matter of tradition is prioritized than the matter of identity since tradition provides modernistic identity. Like the matter of racial identity is artificially fabricated by the ideal of the nation-state, the matter of tradition is also standing on the value of trust and faith. 'Tradition' is a thing believed as tradition, and the value system of belief depends on whether it is valuable to provide one's current identity and social coessentiality or not. As like to decide the tradition and identity of nowadays Korean painting 1S the aspect of our life, the future of Korean painting and the understanding on the organization of society and the way of thinking are inseparably related to each other.
목차
Ⅰ. 머리말
Ⅱ. 시서화와 예술의 본질
Ⅲ. “기운생동”론과 흥
Ⅳ. 예술과 정체성과 전통
Ⅴ. 한국화의 모순과 갈등
Ⅵ. 결어
참고문헌
Abstract
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