메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
서양미술사학회 서양미술사학회논문집 서양미술사학회 논문집 제31집
발행연도
2009.8
수록면
33 - 61 (29page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
Bartolome Esteban Murillo, a seventeenth-century painter active in Seville, has been widely known for his genre-painting of decrepit children and the religious subject of the Immaculate Conception. This study, however, will explore the imagery of St. Joseph in Murillo’s paintings and point out its political significance as propaganda. I believe that the cult of St. Joseph and its depictions in Murillo’s paintings mirror the masculinization of the Catholic Church and the paternalist absolute-monarchy in the contemporary Spain. The elevated status of St. Joseph in Murillo’s paintings reveals the ecclesiastical and monarchical ideologies of the period. In this aspect, his imagery of the Holy Family related to the religious and secular power structures.
In the seventeenth century, the cult of St. Joseph contributed to the reinforced social hierarchy that comprehends family, religion and national politics. In the wake of the Catholic Reformation, the Church emphasized the role and authority of St. Joseph as the head of family. St. Joseph was given the duty to protect the Virgin and the Christ Child. Therefore, even the Virgin and Christ had to obey him. Such a patriarchal concept of family and St. Joseph’s role therein naturally extended to the likewise formulation of absolute monarchical ideology.
This essays analyzes the way Murillo emphasized St. Joseph’s roles as husband, father, and the highest saint in the subjects such as the Betrothal of the Virgin, Flight in to Egypt, and Joseph and the Child. In these paintings, Murillo clearly differentiated the figure of St. Joseph from earlier and even contemporary depictions, which still underestimated his role in an attempt to underscore the Virgin’s purity. As a painter closely associated with the post-Reformation Church in Spain, Murillo appears to have detected the change in the concept and cult of St. Joseph and wisely registered such trend in his paintings to distinguish his works.

목차

들어가며
Ⅰ. 성모자의 수호자로서의 성 요셉
Ⅱ. 가장이자 교육자로서의 성 요셉
Ⅲ. 가톨릭교회 최고의 성인인 성 요셉
Ⅳ. 가톨릭 남성 헤게모니의 상징인 성 요셉
Ⅴ. 근대 군주의 상징인 성 요셉
나오며
참고문헌
Abstract

참고문헌 (18)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2009-609-018806297