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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2004.12
- 수록면
- 869 - 890 (22page)
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초록· 키워드
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King Lear pivots upon the striking tripartite structure in which King Lear, his two elder daughters, and Cordelia respectively occupy an angle, and Gloucester, Edgar and Edmund assume a similar structure. A clash of different discourses among the three daughters, and between the two sons is triggered by the desire for the power and the land of their fathers. The decoding of these opposed relationships concerns the signs of curiosity, invention, and nothing. King Lear's curiosity in affections for his three daughters endangers himself and the whole country. His curiosity is the prelude to a symbolic ritual of his death. The two daughters, Goneril and Regan, know how to invent an empty speech to impress their father. They regard language as an object of exchange. Fabrication of a story makes real their desire to possess power and land. The presence of power and land symbolizes life to them, while the absence of power and land death.
On the contrary, Cordelia despises the desire for power and land through fabrication, and rather chooses silence. Her curt response, nothing, causes the misapprehension of rebellion, profanity, and unkindness. Her mute discourse comes not from her invention or art, but from her truth. Cordelia's silence contrasts remarkably with her two sisters' glib and oily art. The scrutiny of relationships between the king and the three daughters, and among the three sisters is the key to the decoding of Cordelia's sign of nothing, for language is the product of social system of signs.
In the subplot, the relationship between Gloucester and the two brothers, Edgar and Edmund, makes possible a decoding of the signs, which parallels the main plot. The illegitimate Edmund attempts to divest Edgar of his right to patrimony. His plot to appropriate his father's land gives way to the invention of a fabricated letter, a parallel to the glib and oily rhetoric of Goneril and Regan. They share in common an art of invention. In both the main plot and the subplot, King Lear and Gloucester show strong curiosity; Goneril, Regan, and Edmund display the talent for invention; Cordelia and Edgar choose silence and nothing.
On the contrary, Cordelia despises the desire for power and land through fabrication, and rather chooses silence. Her curt response, nothing, causes the misapprehension of rebellion, profanity, and unkindness. Her mute discourse comes not from her invention or art, but from her truth. Cordelia's silence contrasts remarkably with her two sisters' glib and oily art. The scrutiny of relationships between the king and the three daughters, and among the three sisters is the key to the decoding of Cordelia's sign of nothing, for language is the product of social system of signs.
In the subplot, the relationship between Gloucester and the two brothers, Edgar and Edmund, makes possible a decoding of the signs, which parallels the main plot. The illegitimate Edmund attempts to divest Edgar of his right to patrimony. His plot to appropriate his father's land gives way to the invention of a fabricated letter, a parallel to the glib and oily rhetoric of Goneril and Regan. They share in common an art of invention. In both the main plot and the subplot, King Lear and Gloucester show strong curiosity; Goneril, Regan, and Edmund display the talent for invention; Cordelia and Edgar choose silence and nothing.
목차
Ⅰ. 『리어 왕』의 기호학적 비평
Ⅱ. 『리어 왕』의 주 플롯
Ⅲ. 『리어 왕』의 부 플롯
Ⅳ. 결론을 맺으며
인용문헌
Abstract
참고문헌 (32)
참고문헌 신청
[단행본] - 슈클로프스키, 빅토르 / 1987 / 단편소설과 장편소설의 구성 (구조주의와 문학 비평) / 홍성사
[단행본] - 야콥슨, 로만 / 1989 / 일반 언어학 이론 / 민음사
[단행본] - Adelman, Janet / 1992 / Suffocating Mothers / New York: Routledge
[단행본] - Armstrong, Philip / 2001 / Shakespeare in Psychoanalysis / London: Routledge
[단행본] - Brooks, Cleanth / 1975 / The Well Wrought Urn. / New York: Harcourt Brace Jovanovich
[단행본] - 야콥슨, 로만 / 1989 / 일반 언어학 이론 / 민음사
[단행본] - Adelman, Janet / 1992 / Suffocating Mothers / New York: Routledge
[단행본] - Armstrong, Philip / 2001 / Shakespeare in Psychoanalysis / London: Routledge
[단행본] - Brooks, Cleanth / 1975 / The Well Wrought Urn. / New York: Harcourt Brace Jovanovich
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