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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2000.9
- 수록면
- 465 - 489 (25page)
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The stage of Romeo and Juliet is full of violence caused by the feud between two patriarchal families. Despite the fact that peace or satisfaction can hardly be found, the play has long been known as a story of love. This might be because love is more related to what we lack rather than what we have enough of.
According to psychological theories, the sense of emptiness originates from the loss of Mother. Mother has been the one who bore us all as whole and intact beings. A child in the course of socialization tries to identify himself with the patriarchal ideals. The world he must enter is the world of symbolic order which is controlled by the paternal signifier. A child must adjust his identity to this symbolic order. In order to do this, he rejects the mother figure from his territory of consciousness. This is why we cannot find a true mother figure in Romeo and Juliet. Because of this psychological loss, however, one cannot help seeking Mother in every object of desire for all one's life. Since the distance from an object is the essential condition of being in this Oedipal structure, desire is always reproduced as soon as the object is obtained. In this world, there is no completion of love: only everlasting delay of satisfaction exists. The protagonists of Romeo and Juliet want complete satisfaction. By abandoning their former identities, they try to stop the repeated reproduction of desire and retrieve their lost wholeness through their union. Their courses of action inevitably end with death because only death can fulfill their desire in the symbolic world. They return to nature's womb, the mother earth, to take their rest in death.
This mars the symbolic system in Verona. Primordial Mother, the whole flow of libidinal energy, sometimes returns through a crack in the symbolic world and disturbs the order of things. By suggesting the future transformation of Verona, Shakespeare reveals that there is no permanently settled social structure that cannot be modified by the chaotic but comprehensive power of the World of Mother.
According to psychological theories, the sense of emptiness originates from the loss of Mother. Mother has been the one who bore us all as whole and intact beings. A child in the course of socialization tries to identify himself with the patriarchal ideals. The world he must enter is the world of symbolic order which is controlled by the paternal signifier. A child must adjust his identity to this symbolic order. In order to do this, he rejects the mother figure from his territory of consciousness. This is why we cannot find a true mother figure in Romeo and Juliet. Because of this psychological loss, however, one cannot help seeking Mother in every object of desire for all one's life. Since the distance from an object is the essential condition of being in this Oedipal structure, desire is always reproduced as soon as the object is obtained. In this world, there is no completion of love: only everlasting delay of satisfaction exists. The protagonists of Romeo and Juliet want complete satisfaction. By abandoning their former identities, they try to stop the repeated reproduction of desire and retrieve their lost wholeness through their union. Their courses of action inevitably end with death because only death can fulfill their desire in the symbolic world. They return to nature's womb, the mother earth, to take their rest in death.
This mars the symbolic system in Verona. Primordial Mother, the whole flow of libidinal energy, sometimes returns through a crack in the symbolic world and disturbs the order of things. By suggesting the future transformation of Verona, Shakespeare reveals that there is no permanently settled social structure that cannot be modified by the chaotic but comprehensive power of the World of Mother.
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