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The purpose of this article is to study Miyazakian style transfonnation by analyzing the aspects of adaptation between a famous feature animation, <Howl's Moving Castle>(2004l of Hayao Miyazaki, the mogul of Japanese anima and an English fantasy novel, Howl's Moving Castle0986l of Diana Wynne Jones. Plot summary of this film is as belows: A young woman named Sophie is cursed by the Witch of the Waste, turns into an old woman, and is unable to tell anyone of her plight. Unable to continue her job at her mother's hat shop, she goes to the ambulatory castle of the notorious wizard Howl and insinuates herself into his household. Sophie befriends Calcifer, the fIre demon who powers the castle and who is bound to Howl by a contract, the tenns of which Ca1cifer cannot reveal. They promise to help each other with their problems. Like Ca1cifer, Howl can also see through the Witch's spell, and he and Sophie fall in love. Sophie helps Howl confront his fonner teacher, and the Witch of the Waste.
In this fIlm, Miyazaki tells his tale outside the parameters of common storytelling. He takes liberties with everything, telling it how he wants it to be told, and at first it is a little strange because of the failure of recognition of classic plot points we are so used to seeing. This fIlm is one of his best, abundant in rich imagination and delightful characters set in a world of fantastical sights and sounds, where everyone has a fly-machine, and wizards walk among the common folk.
<Howl's Moving Castle> is riddled with classic Miyazaki: strong women characters, open landscapes, flying machines, and the horridness of war. These add strength to the love story of Howl and Sophie. Miyazaki uses his wonderful power to take classic, almost mythological and fairy tale stories we all know, and archetypal characters and make them his own, until we don't even recognize the stories we have hear a thousand times, and it feels as if we are seeing and hearing them for the first time. He does this with a host of wonderful characters. More strange creatures play prominent role here then any other his film.
This feature animation surpasses even <Spirited Away>(2001) in sheer scope and majesty. There is Ca1cifer, the wonderfully comic fire demon, on Turniphead, the Scarecrow that leads Sophie to Howl's magical moving castle. The castle itself is one reason to see the film. Miyazaki succeeds in giving the castle personality. It lumbers along on its thin chicken-like legs, everything pushing, pulling, pumping and gyrating in perfect synchronization.
In this fIlm, Miyazaki tells his tale outside the parameters of common storytelling. He takes liberties with everything, telling it how he wants it to be told, and at first it is a little strange because of the failure of recognition of classic plot points we are so used to seeing. This fIlm is one of his best, abundant in rich imagination and delightful characters set in a world of fantastical sights and sounds, where everyone has a fly-machine, and wizards walk among the common folk.
<Howl's Moving Castle> is riddled with classic Miyazaki: strong women characters, open landscapes, flying machines, and the horridness of war. These add strength to the love story of Howl and Sophie. Miyazaki uses his wonderful power to take classic, almost mythological and fairy tale stories we all know, and archetypal characters and make them his own, until we don't even recognize the stories we have hear a thousand times, and it feels as if we are seeing and hearing them for the first time. He does this with a host of wonderful characters. More strange creatures play prominent role here then any other his film.
This feature animation surpasses even <Spirited Away>(2001) in sheer scope and majesty. There is Ca1cifer, the wonderfully comic fire demon, on Turniphead, the Scarecrow that leads Sophie to Howl's magical moving castle. The castle itself is one reason to see the film. Miyazaki succeeds in giving the castle personality. It lumbers along on its thin chicken-like legs, everything pushing, pulling, pumping and gyrating in perfect synchronization.
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참고문헌 (20)
참고문헌 신청
[단행본] - Bendazzi, Giannalberto / 1994 / Cartoons: One Hundred Years of Cinema Animation / Bloomington: Indiana Univ. Press
[단행본] - Finch, Christopher / 1999 / L'Art de Walt Disney de Micky à Mulan / Paris: Editions de La Martinière
[단행본] - Jones, Diana Wynne / 1986 / Howl's Moving Castle / New York: Harper Collins publishers Inc.
[단행본] - 김진준 / 2004 / Howl's Moving Castle=하울의 움직이는 성 1 / 문학수첩 리틀북스.
[단행본] - Pavis, Patrice / 1999 / Le Dictionnaire du théâtre=연극학 사전 / 현대미학사
[단행본] - Finch, Christopher / 1999 / L'Art de Walt Disney de Micky à Mulan / Paris: Editions de La Martinière
[단행본] - Jones, Diana Wynne / 1986 / Howl's Moving Castle / New York: Harper Collins publishers Inc.
[단행본] - 김진준 / 2004 / Howl's Moving Castle=하울의 움직이는 성 1 / 문학수첩 리틀북스.
[단행본] - Pavis, Patrice / 1999 / Le Dictionnaire du théâtre=연극학 사전 / 현대미학사
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