지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study aimed to have a concrete understanding on Jo Hyang’ language theory through analysis of his poetic theory. Generally, it was regarded that it was related with surrealism which he was oriented to, which his poetry was also influenced by. But in this study, I intended to clarify what influences he was had by, what intent he concreted in his language theory.
His language theory had been contemplated and placed under his substantial efforts to internalize the modernism literature, literature history, and Korean oral tradition that he had read and experienced. In addition, he intended to establish his own view on language and experiment it in his poetry.
He presented the view of modernism language, because he recognised a discordance between language and objects. He thought that the gap of the conventional stereotypical language and reality could be overcome by esthetic processing and reform of language. He was concerned new words represented modern culture in 1950’s through the combination of word and word. He also introduced the language theory of surrealism in which he found the influence of unconsciousness and metaphor. The pure language that he explained showed possibility in which only the texture of the language survived through death of meaning, in which the signification of language was permanently deferred and recreated.
His language theory had been contemplated and placed under his substantial efforts to internalize the modernism literature, literature history, and Korean oral tradition that he had read and experienced. In addition, he intended to establish his own view on language and experiment it in his poetry.
He presented the view of modernism language, because he recognised a discordance between language and objects. He thought that the gap of the conventional stereotypical language and reality could be overcome by esthetic processing and reform of language. He was concerned new words represented modern culture in 1950’s through the combination of word and word. He also introduced the language theory of surrealism in which he found the influence of unconsciousness and metaphor. The pure language that he explained showed possibility in which only the texture of the language survived through death of meaning, in which the signification of language was permanently deferred and recreated.
목차
Ⅰ. 서론
Ⅱ. 현대성 논의와 시어론
Ⅲ. 조향 시어론의 양상
Ⅳ. 조향 시어론의 특징
Ⅴ. 결론
참고문헌
[Abstract]
참고문헌 (20)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2012-710-004184014