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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In the buckwheat-blossom time that was written by Lee Hyo Suck as a short novel in 1936 is a very famous masterpiece as a lyric novel in the modern-times of Korea. The purpose of this article is to show us what the essential characters of a lyric novel is through the analysing of in the buckwheat-blossom time. This article is based on the theory of the lyrical novel by Ralph Freedman. He had emphasized the pictorial beauty as an essential characteristic of a lyric novel. This essay had mentioned the writing style of in the buckwheat-blossom time not poetic. Lee Hyo Suck had used symbols many times and fluent dialects. He had made images which were traditional and natural. Those had been influenced by the painter’s debate on what’s the localities of Cho-Sun’s oil paintings. Lee Hyo Suck had pursued in the in the buckwheat-blossom time to make his novel poetic. He had used images to be simultaneous scene as much as lyric from narratively different time situation. Also he made main characters as a non-individual person, general dad or general son. So that made readers feel sympathy for the character’s behavior. That’s why in the buckwheat-blossom time had been called the best well known lyric novel in Korea. The conclusion of this essay is it’s speciality as a lyric novel having a strong sense of image.
목차
1. 문제제기 : 〈모밀꽃 필 무렵〉이 획득한 심미감은 ‘詩的문체’ 때문인가?
2. 〈모밀꽃 필 무렵〉의 서정성의 요체로서의 회화성
3. 1936년 화단의 향토색 논쟁과 문단의 회화성 짙은 소설의 탄생
4. 마무리 : 〈모밀꽃 필 무렵〉을 통해 본 이효석 문학의 심미성 추구와 서정소설의 본질
참고문헌
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2012-810-004171290