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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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〈The Gift to Stalin〉 by Rustem Abdrashev is a film dealt with the wounds of Soviet imperialism in the Kazakhstan of 1949, when the Soviet administration forced the minorities to move to the Central Asia. It is also the year of the Soviet nuclear bomb test in Kazakhstan. The movie combines the two historical cases. The merit of the film is in the fact that it does not suffer a nervous collapse under the weight of a grim reality, despite its handling of sensitive political issues, e.g. the forced migration and the nuclear bomb test by Stalin. Rather, this film focuses the relationship between a Jewish boy Sasha and an old man Kasim, who takes care of the boy like a blood relative. Their relationship becomes a symbol of never-changing love and faith transcending race, religion, and age even during the darkest era under the tyrannical regime. The boy who had left home just before the bomb test has returned to Kazakhstan after more than 50 years narrates the story based on the humanistic aspects of man’s value.
This study investigates the national ideology of Kazakhstan, establishing the national identity while seeking the value of mutual coexistence, in terms of film aesthetics because Kazakhstan is a country of multi-ethnic communities. The boy Sasha, who represents the childhood of Israeli writer David Markish, appears to be a model figure of experiencing and accepting the multi-culture in the nation. Analyzing the movie, it is worth noting the fact that the growth of consciousness between ‘the experiencing I’ and ‘the narrating I’ is naturally dissolved as means of maintaining a warm gaze while reciting the dismal story of the dark period. In these categories, the following contents are investigated by a variety of shooting techniques and image analysis: the ruminations on the collective memory, the spirit of resistance of Kazakhstan migrants and the establishment of national identity, the multiracial partnership and religious coexistence in Kazakhstan.
This study investigates the national ideology of Kazakhstan, establishing the national identity while seeking the value of mutual coexistence, in terms of film aesthetics because Kazakhstan is a country of multi-ethnic communities. The boy Sasha, who represents the childhood of Israeli writer David Markish, appears to be a model figure of experiencing and accepting the multi-culture in the nation. Analyzing the movie, it is worth noting the fact that the growth of consciousness between ‘the experiencing I’ and ‘the narrating I’ is naturally dissolved as means of maintaining a warm gaze while reciting the dismal story of the dark period. In these categories, the following contents are investigated by a variety of shooting techniques and image analysis: the ruminations on the collective memory, the spirit of resistance of Kazakhstan migrants and the establishment of national identity, the multiracial partnership and religious coexistence in Kazakhstan.
목차
[국문요약]
Ⅰ. 서론
Ⅱ. 강제 이주의 역사와 핵실험의 집단 기억에 대한 반추
Ⅲ. 카자흐스탄 이주민들의 저항 정신과 정체성 확립의 미학적 구현
Ⅳ. 다민족 공동체 정신과 종교적 영성의 공존 표출
Ⅴ. 결론
참고 문헌
[Abstract]
참고문헌 (41)
참고문헌 신청
1. [단행본] - 김병학 / 2010 / 카자흐스탄 초원에 솟아오른 거대한 시문학의 산: 아바이의 사상과 시세계 그리고 생애, In 카자흐스킨 초원시인 아바이 시선집. 황금천막에서 부르는 노래 / 인터북스 : 256 ~ 272
2. [단행본] - 김창진 / 2010 / 영화로 보는 제국의 역사. 문명과 야만의 블록버스터 / 도서출판 자리
3. [단행본] - 누르술탄 나자르바예프 / 1997 / 21세기 문턱에서 / 한국경제신문사
4. [단행본] - 로버트 서비스 / 2005 / 스탈린, 강철 권력 / 교양인
5. [단행본] - 자크 오몽 / 2006 / 이마주. -영화·사진·회화 / 동문선
2. [단행본] - 김창진 / 2010 / 영화로 보는 제국의 역사. 문명과 야만의 블록버스터 / 도서출판 자리
3. [단행본] - 누르술탄 나자르바예프 / 1997 / 21세기 문턱에서 / 한국경제신문사
4. [단행본] - 로버트 서비스 / 2005 / 스탈린, 강철 권력 / 교양인
5. [단행본] - 자크 오몽 / 2006 / 이마주. -영화·사진·회화 / 동문선
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UCI(KEPA) : I410-ECN-0101-2013-705-000632541