지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study examines how crossover, which is rooted from postmodernism, has been represented in “Open Concert” which has used crossover as a program format since this program first aired in KBS(Korean Broadcasting System) and has influenced in Korean society as a whole. In doing this, this study qualitatively analyzes “Open Concert” to air from 1993 to 1999.
According to findings, “Open Concert” reveals postmodernistic phenomena as follows: Open Concert had triggered to introduce various kinds of crossover music programs and performances in Korean entertainment industry. In particular, blurring the distinction between high culture and mass culture, namely the main theme of “Open Concert”, would be explained through postmodernism. In this regard, that “Open Concert” based on crossover had been famous in Korean society would be indicated that new social order came into being with the collapse of old social order including politics, economy, society and culture.
According to findings, “Open Concert” reveals postmodernistic phenomena as follows: Open Concert had triggered to introduce various kinds of crossover music programs and performances in Korean entertainment industry. In particular, blurring the distinction between high culture and mass culture, namely the main theme of “Open Concert”, would be explained through postmodernism. In this regard, that “Open Concert” based on crossover had been famous in Korean society would be indicated that new social order came into being with the collapse of old social order including politics, economy, society and culture.
목차
Abstract
Ⅰ. 서론
Ⅱ. 문헌연구
Ⅲ. 방법론
Ⅳ. 분석: KBS ‘열린 음악회’의 역사적 고찰 (1993-1999)
Ⅴ. 결론 및 논의
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UCI(KEPA) : I410-ECN-0101-2013-381-000468736