지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.6
- 수록면
- 3 - 26 (24page)
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초록· 키워드
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This research reaffirms the connectivity and authenticity of original martial arts within China, Korea and Japan through comparison and analysis of SubakㆍSangbakㆍGakjeo. Firstly, the ancient Korean martial arts shows strong resemblance to the ancient wall-drawings of China and Japan in warriors gestures and combat exercises. Secondly, we proved that there were sufficient ancient documents which support that combat martial art was originated from real-life combat exercise of KoreaㆍChinaㆍJapan. Thirdly, we could find there were physical exercise methods which were all shown equally on Korean ancient wall drawings and Wooden drawings of China as well as in Hayan in Japan. Fourthly, KoreaㆍChinaㆍJapan had used the terms Subak and SangbakㆍGakjeo interchangeably during some periods for slightly varying things; however, we have found that they were used once under same meaning. Fifth, the meaning of “Sangbak” in context of 《NanjungIlgi》ㆍ《SangbakYiSoo》ㆍ《NiHonShowKi》 shows that it was similar to grappling techniques with punching and kicking instead of Gakjeo and Gakryuk which modern academic believe to be the meaning over SSireum. Sixth, late Cho Seon Dynasty and Myung Dynasty(and according period in Japanese edo era) seems to be the era at which combat battle was diversified into hand-combat and weaponries. Seventh, SubakㆍSangbakㆍGakjeo shows it was mixed martial art, but then it was changed into push-over or throw-over combat of mid-era of SangbakㆍGakjeo. The research overall reaffirms that there are strong connections among the Combat martial arts of Korea, China and Japan.
목차
Abstract
Ⅰ. 서론
Ⅱ. 연구방법
Ⅲ. 韓國 古書畵에 보이는 格鬪武藝에 관해
Ⅳ. 中國 古書畵에 보이는 格鬪武藝에 관해
Ⅴ. 日本 古書畵에 보이는 格鬪武藝에 관해
Ⅵ. 韓ㆍ中ㆍ日 格鬪武藝에 관한 傳統性 및 連繫性 논의
Ⅶ. 결론
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UCI(KEPA) : I410-ECN-0101-2013-692-000280216