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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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This thesis is an attempt to study the relation of Jeong, ji－young’s poetic words and Gam－gak(감각, 感覺, poetic feeling) in his essay on poetry. Until now, other studies on Jeong, ji－young’ Gam-gak(감각, 感覺, poetic feeling) divided his Gam－gak into two section, feeling to object and feeling on language to study special feature on his Gam－gak. These studies prescribe that his poetic words were produced from a process that self activity develop to poetic feeling and technique unifying emotion, thinking, everyday life.
In this thesis, I study Jeong, ji－young’s essay on poetry in point of view that special thing of Jeong, ji－young’s poetic words is showed in his essay on poetry, too. The special feature of his essay on poetry comes from experiences of poetical writing rather than the study on theory because these essay were published just after publishing “bak－lok－da－m(백록담)” in 1939. This suggest that feature of his poetic words and Gam－gak(poetic feeling) in his poems was extended to essays on poetry to theorize itself.
His essays on poetry from experience has a feature that metaphors and aphorisms are more than dialectical descriptions. In content, it is special thing that he explain the relation of spirit or Gam－gak, as monistic thing unifying emotion, thought, sensibility, to linguistic feeling(언어감각, 言語感覺), which is relation of incarnation. Therefore, organic unification of poetry is process of completion that poetic spirit meets linguistic feeling and sublimation of poetic words come out at the same time.
In this thesis, I study Jeong, ji－young’s essay on poetry in point of view that special thing of Jeong, ji－young’s poetic words is showed in his essay on poetry, too. The special feature of his essay on poetry comes from experiences of poetical writing rather than the study on theory because these essay were published just after publishing “bak－lok－da－m(백록담)” in 1939. This suggest that feature of his poetic words and Gam－gak(poetic feeling) in his poems was extended to essays on poetry to theorize itself.
His essays on poetry from experience has a feature that metaphors and aphorisms are more than dialectical descriptions. In content, it is special thing that he explain the relation of spirit or Gam－gak, as monistic thing unifying emotion, thought, sensibility, to linguistic feeling(언어감각, 言語感覺), which is relation of incarnation. Therefore, organic unification of poetry is process of completion that poetic spirit meets linguistic feeling and sublimation of poetic words come out at the same time.
목차
Ⅰ. 정지용 시의 ‘감각’과 시론
Ⅱ. 정지용의 시론과 시작법
Ⅲ. 미적 전략과 형식의 문제
Ⅳ. 절제된 정신의 감각과 언어 감각의 일치
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UCI(KEPA) : I410-ECN-0101-2013-811-000316558