지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The paper provides a direction for interpreting Jeong, Ji－yong’s poem Yuseon －aesang(Yuseon －aesang means ‘sadness for streamlined shape’ in Korean.) which is known for its difficulty in interpretation. It may be reckless since its interpretation is controversial even among scholars.
Prior concern in interpreting the text of Yuseon －aesang is the transfer of the information about cultural backgrounds of 1930s. To find the material of the poem, particularly it is essential to know how ‘the streamlined shape’ was viewed by the people at the time. For this, previous researches that provide detailed information regarding ‘the streamlined shape’ will be in use. Based on previous researches, it is figured out that modern people preferred streamlined materials as they are considered to have speed and beauty. Especially to modern girls and boys at Gyeongseong (Gyeongseong is an old name of Seoul.), streamlined automobiles were the object of envy.
Observed from the poem and the result from the previous researches, it is reasonable and natural to consider an automobile as a subject of streamlined material. Moreover, because Jeong criticized and negatively viewed the trend of ‘the streamlined shape’, he expressed the emotion of sadness to the automobile. As an extension of his consciousness, he pursued the realm of the landscape poetry after publishing Yuseon －aesang.
This paper tried to avoid arbitrary interpretation. In the explanation of words and clauses, the paper defined them in comparison with other texts. Consequently it is summarized as follows:
The speaker of the poem felt sorry for the gentlemanlike streamlined automobile which was treated disrespectfully. So, to enjoy the drive, the speaker called a taxi which is a car kept for business. The taxi, however, was worn out and it even had a problem from starting to drive. As the car made smoke and noise, the plan to go to Chuncheon was abandoned and stopped at the flower garden. By turning off the car, it became calm.
Prior concern in interpreting the text of Yuseon －aesang is the transfer of the information about cultural backgrounds of 1930s. To find the material of the poem, particularly it is essential to know how ‘the streamlined shape’ was viewed by the people at the time. For this, previous researches that provide detailed information regarding ‘the streamlined shape’ will be in use. Based on previous researches, it is figured out that modern people preferred streamlined materials as they are considered to have speed and beauty. Especially to modern girls and boys at Gyeongseong (Gyeongseong is an old name of Seoul.), streamlined automobiles were the object of envy.
Observed from the poem and the result from the previous researches, it is reasonable and natural to consider an automobile as a subject of streamlined material. Moreover, because Jeong criticized and negatively viewed the trend of ‘the streamlined shape’, he expressed the emotion of sadness to the automobile. As an extension of his consciousness, he pursued the realm of the landscape poetry after publishing Yuseon －aesang.
This paper tried to avoid arbitrary interpretation. In the explanation of words and clauses, the paper defined them in comparison with other texts. Consequently it is summarized as follows:
The speaker of the poem felt sorry for the gentlemanlike streamlined automobile which was treated disrespectfully. So, to enjoy the drive, the speaker called a taxi which is a car kept for business. The taxi, however, was worn out and it even had a problem from starting to drive. As the car made smoke and noise, the plan to go to Chuncheon was abandoned and stopped at the flower garden. By turning off the car, it became calm.
목차
Ⅰ. 들어가며
Ⅱ. ‘유선’의 소재와 ‘유선애상’의 의미
Ⅲ. 「유선애상」 해석의 방향
Ⅳ. 나가며
참고문헌
Abstract
참고문헌 (19)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-811-000316614