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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This article aims to analyze the technic of visualization in Baik Suk’s poetry. For this analysis, this article puts an eye on “the seeing subject” devided into two subjects in the process of describing the landscape of poet’s own born-place. The one is the seeing subject(=S2) who is supposed to see the landscape. S2 appearing as a child’s gaze in Baik Suk’s early poetry is only a shown subject. The adult subject(=S1) who is seeing and describing the child in the landscape hides in the text, but S1 is the real seeing subject in Baik Suk’s poetry. In this, we can say Baik suk’s seeing subject is like the seeing and editing subject who hides behind the camera in movie. Meanwhile, this article illuminates the traveler’s gaze. As we know, Baik suk wrote many poems based on the experience of traveling strange places like Manchuria or northern area in Korean peninsula. In this travel, Baik suk happened to meet the other’s face which led him to introspect the self. In this way, he found his own identity integrated with the bigger “I”, and Baik suk could describe himself as a poet cherishing pure soul. So, We can say Baik suk’s gaze in the travel poetry is the gaze of self-reflection.
목차
Abstract
1. 들어가는 말
2. 〈정주성〉에 나타난 ‘빛’ 이미지와 영화적 시선
3. 시선의 이중화 - 고향을 바라보는 두 개의 시선
4. ‘나’를 찾아가는 여행 : 내면을 향한 ‘눈’과 모럴의 탐색
5. 맺음말
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UCI(KEPA) : I410-ECN-0101-2013-710-000350196