지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.9
- 수록면
- 487 - 504 (18page)
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초록· 키워드
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This study aims to present an ideal woman through Portia in The Merchant of Venice based on androgyny. In this play, Portia solves men's problems that nobody can, even the Duke of Venice. She can disguise herself as a man and take part in androgynous situations successfully.
In Act 1, she is purely a traditional woman-subjective, passive, and obedient to her late father's will, and later to her husband Bassanio. Following the court scene, however, she has completely changed. Because of her disguise as a man, she can draw a man's qualities-intelligence, courage, fortitude, and combine them with her feminine qualities-wit, care, sympathy for others. With these combined qualities, she can sort out all problems that men face.
In Act 5, when revealing her disguise and returning to a woman on the outside, she shows that she has men's merits by using her disguise and shows an ideal personality. She is no longer a passive and obedient woman. Through a disguise, Portia can keep and maintain the ideal balance of femininity and masculinity. So she has transformed from a passive and obedient wife into a partner of Bassanio.
Some feminists highlight femininity and reject masculinity, but Portia shows that women need a balance of both qualities to be ideal women, therefore, women need to be androgynous to develop better personalities and to establish better positions in their families and society.
In Act 1, she is purely a traditional woman-subjective, passive, and obedient to her late father's will, and later to her husband Bassanio. Following the court scene, however, she has completely changed. Because of her disguise as a man, she can draw a man's qualities-intelligence, courage, fortitude, and combine them with her feminine qualities-wit, care, sympathy for others. With these combined qualities, she can sort out all problems that men face.
In Act 5, when revealing her disguise and returning to a woman on the outside, she shows that she has men's merits by using her disguise and shows an ideal personality. She is no longer a passive and obedient woman. Through a disguise, Portia can keep and maintain the ideal balance of femininity and masculinity. So she has transformed from a passive and obedient wife into a partner of Bassanio.
Some feminists highlight femininity and reject masculinity, but Portia shows that women need a balance of both qualities to be ideal women, therefore, women need to be androgynous to develop better personalities and to establish better positions in their families and society.
목차
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Abstract
참고문헌 (21)
참고문헌 신청
1. [단행본] - 버지니아 울프 / 1995 / 자기만의 방 / 예문
2. [학위논문] - 심미현 / 1992 / Shakespeare 희극에 나타난 Metamorphoses 연구 / 박사 / 고려대학교
3. [학위논문] - 윤승길 / 2004 / 베니스의 상인에 나타난 타자의 정치학−타자의 수용과 배제 전략 / 박사 / 고려대학교
4. [단행본] - 케이트 밀레트 / 1992 / 성의 정치학 / 현대 사상 총서
5. [단행본] - Belsey, Catherine / 1989 / The Feminist Reader Essays in Gender and the Politics of Literary Criticism / Macmillan
2. [학위논문] - 심미현 / 1992 / Shakespeare 희극에 나타난 Metamorphoses 연구 / 박사 / 고려대학교
3. [학위논문] - 윤승길 / 2004 / 베니스의 상인에 나타난 타자의 정치학−타자의 수용과 배제 전략 / 박사 / 고려대학교
4. [단행본] - 케이트 밀레트 / 1992 / 성의 정치학 / 현대 사상 총서
5. [단행본] - Belsey, Catherine / 1989 / The Feminist Reader Essays in Gender and the Politics of Literary Criticism / Macmillan
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UCI(KEPA) : I410-ECN-0101-2013-840-000845017