지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The rapid deterioration of the information cordon that once sealed North Korea off from the outside world has had manifold effects on cultural life inside the country. The influx of South Korean culture and information has been of particular importance, as it threatens to undermine North Korea’s official myths. Unable to restore the cordon of old, the regime now finds itself forced to compete with heterodox culture for citizens’ attention. This state of affairs has brought about certain changes in the official culture, including the visual arts, that merit attention; the beauty ideal, for example, already shows clear signs of “South Koreanization”. The past decade or so has also seen a sharp increase in foreign travel to North Korea, and with it a commercialization of the North Korean art industry that includes the production-to-order of ironic propaganda-style pictures for foreign tourists. This development, too, has already had obvious effects on the country’s art scene, and may well further undermine artists’ support for the official culture. The following article is an attempt to introduce readers to the current state of the visual arts in North Korea and to discuss the ways in which the art scene appears to be responding to the influx of outside culture.
목차
1. 들어가는 글
2. 문화 저지선의 쇠퇴(1989년경-)
3. 미술계가 외부 세계에 반응하다
4. 결론
Bibliography
Abstract
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-609-001267554