지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study elaborates on “Ode to Psyche” to alter the still popular misconception of John Keats as a faint-hearted poet exemplifying effeminate characteristics. The poem indicates his misinterpreted (male) gender politics. This study, therefore, demonstrates that (the persona of) the poet could seem to be rather effeminate and unmanly, but his superficial effort may only be an effective stratagem to construct his manoeuvre to fulfill his possessive desire of a goddess, Psyche.
Keats’ obsessive preoccupation with self and identity, which appears in the poem, is an essential process for the composition of his poetry and self-affirmation. In this respect, “Ode to Psyche” can be a true ode insofar as it becomes a celebration. However, the completion of his love with Psyche leads to his cruel consumption of her. Psyche as a woman/goddess is regarded as an eroticized object whose existence only obtains meaning through the grace of his absolute power. She is denied her voice and is deprived of all her autonomy as a goddess. Based on the poetic strategy of using an echo of an ancient mystery celebration and shaping a female into his ideal alter ego, Keats fulfills his poetic independence.
Keats’ obsessive preoccupation with self and identity, which appears in the poem, is an essential process for the composition of his poetry and self-affirmation. In this respect, “Ode to Psyche” can be a true ode insofar as it becomes a celebration. However, the completion of his love with Psyche leads to his cruel consumption of her. Psyche as a woman/goddess is regarded as an eroticized object whose existence only obtains meaning through the grace of his absolute power. She is denied her voice and is deprived of all her autonomy as a goddess. Based on the poetic strategy of using an echo of an ancient mystery celebration and shaping a female into his ideal alter ego, Keats fulfills his poetic independence.
목차
Ⅰ. 서론
Ⅱ. 소유욕과 동일시 전략
Ⅲ. 무력화 작업과 정체성 만들기
Ⅳ. 결론
참고문헌
〈Abstract〉
참고문헌 (17)
참고문헌 신청
Aske, Martin / 1985 / Keats and Hellenism : An Essay / Cambridge UP
Briggs, Harold E. / 1945 / Keats's Conscious and Unconscious Reactions to Criticism of Endymion / PMLA 60:1106~1129
Daruwala, Maneck H. / 1991 / Keats & The Ode to Psyche / Victorians Institute Journal 19:152~178
Edgecombe, Rodney S. / 1994 / On First Looking Into Chapman's Musaeus: A Note on a Possible Influence / Keats-Shelley Journal 43:27~34
Hagstrum, Jean H. / 1989 / Eros and Vision : The Restoration to Romanticism / Northwestern UP
Briggs, Harold E. / 1945 / Keats's Conscious and Unconscious Reactions to Criticism of Endymion / PMLA 60:1106~1129
Daruwala, Maneck H. / 1991 / Keats & The Ode to Psyche / Victorians Institute Journal 19:152~178
Edgecombe, Rodney S. / 1994 / On First Looking Into Chapman's Musaeus: A Note on a Possible Influence / Keats-Shelley Journal 43:27~34
Hagstrum, Jean H. / 1989 / Eros and Vision : The Restoration to Romanticism / Northwestern UP
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UCI(KEPA) : I410-ECN-0101-2013-051-001278602