지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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On the Border between Fantasy and Reality: Searching for the Subject in Christopher Nolan’s Films. The New Studies of English Language & Literature 51 (2012): 135-154. This article proposes to examine the relationship between identity and traumatic memory as a theme consistently found in Christopher Nolan’s critically acclaimed movies, Memento (2000), The Dark Knight (2008), and Inception (2010). Facing tragic and traumatic incidents, the main characters in these films are forced to question who they really are and to reintegrate their shattered identities through fantasy and reconstructed reality. Therefore, despite the genre variations, Nolan’s films show that the subject can be secured paradoxically through recognizing the ultimate ambiguous boundary between self and other, fantasy and reality. This theme is along the same line with Lacanian analysis of “fragmented subject” and the entailing philosophical questions in the contemporary cultural studies. (Ewha Womans University)
목차
Ⅰ. 들어가며
Ⅱ. 메멘토: 해체를 기억하라!
Ⅲ. 다크 나이트: 영웅의 두 얼굴
Ⅳ. 인셉션: 꿈의 공간에서 마주하는 트라우마
Ⅴ. 맺는말
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UCI(KEPA) : I410-ECN-0101-2013-840-001519512