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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.3
- 수록면
- 5 - 30 (26page)
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Barabas is not just a persecuted jew in Christian society, but a symbolic Other who embodies Marlowe"s cynicism of Renaissance imperialism which is characterized by dominion, exploitation, and avarice. The main plot of the play is superficially regarded as the conflict between Christians and a wickedjew, and finally as the victory of Christians. However, if we notice the complicated situations and the subtle dramatic techniques, it"s hard to explain this play wirth the simple anti-semitism. The focus of the play is not just the villainy of the jew, but rather the Christian avarice and foolishness being made fun of by the jew. Therefore, "the other" of this play is not just an object of hostility and disgust, but an dramatic means to reveal our villainy and hypocrisy. Marlowe"s political strategy lies in the fact that all the characters of the play are the others in the contemporary England. Most characters including Barabas the jew, Ferneze and the Catholics, Calymath of Turkey, and Del Bosco of Spain are the others to the contemporary English audience. So the audience are able to see the complicated scenes of trick and deception with a considerably objective perspective. As the dominant attitudes Barabas convey through his role-plays are cunicism and mockert, the dominant emotion of this play is cynicism. The object of cynicism is neither a particular individual nor a particular group, but all who are in the pit of avarice. And England can not be excluded group, but all who are in the pit of avarice. And England can not be excluded from the object of cynicism. In order to present this cynicism, Marlowe mixes tragic and comic elements. The tragic elements of the protagonist"s suffering and revenge reflect the selfish exploitation inherent in the imperial and colonial ideology. On the while, Barabas"s role-play becomes a means to mock the villainy of the ruling force obsessed by the avarice and the exploitation of the ruled. As the wicked other"s destruction cannot be the traditional tragedy, the play entiled "the tragedy of a jew" can omply the meaning of resistance and subversion.
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Abstract
참고문헌 (19)
참고문헌 신청
1. [단행본] - Bartels, Emily / 1993 / Spectacles of Strangeness Imperialism, Alienation, and Marlowe / U of Pennsylvania P
2. [단행본] - Bawcutt, N. W / 1978 / Introduction , In The Jew of Malta / Manchester UP : 1 ~ 58
3. [학술지(정기간행물)] - Berek, Peter / 1998 / The Jew as Renaissance Man / Renaissance Quarterly 51 (1) : 128 ~ 162
4. [단행본] - Brown,John Russell / 1989 / Introduction, In Arden Shakespeare: The Merchant of Venice / Routledge
5. [단행본] - Cole,Douglas / 1995 / Christopher Marlowe and The Renaissance of Tragedy / Greenwood P
2. [단행본] - Bawcutt, N. W / 1978 / Introduction , In The Jew of Malta / Manchester UP : 1 ~ 58
3. [학술지(정기간행물)] - Berek, Peter / 1998 / The Jew as Renaissance Man / Renaissance Quarterly 51 (1) : 128 ~ 162
4. [단행본] - Brown,John Russell / 1989 / Introduction, In Arden Shakespeare: The Merchant of Venice / Routledge
5. [단행본] - Cole,Douglas / 1995 / Christopher Marlowe and The Renaissance of Tragedy / Greenwood P
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