메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
홍옥숙 (한국해양대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제54권 제2호
발행연도
2012.5
수록면
153 - 177 (25page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
This article attempts to show the topography of the recent "British" poetry since the 1980"s. Many anthologies and criticisms on the British poetry agree that the "British" poetry has undergone a considerable transformation reflecting socio-cultural changes which took place in U.K. since the end of the Second World War and that it now contains many "non-British" elements.
To examine the characteristics of contemporary British poetry, this study adopts two seemingly disparate but similar perspectives of looking at UK and British poetry. The first perspective concerns the poets who work in both the inside and the outside of what was traditionally known as "U.K." Contemporary poets such as Seamus Heaney, Eavan Boland, Gillian Clarke, and Tony Harrison come from the areas once not regarded as the mainstream England. While conscious of their own cultural root and non-British identity, they either try to establish their new identity by rejecting their tradition and the English influence or by being gradually assimilated into the greater British tradition of literature.
The second perspective is to see the changes occurring in English as the medium of poetry. As a string of new, powerful poets come from the marginal regions or former colonies, contemporary poetry accordingly begins to reflect their dialect replacing the "standard English." These changes in UK itself and English are closely interrelated with each other, securing variety for contemporary British poetry.

목차

Ⅰ. 최근 영국시의 형성
Ⅱ. 영국의 안과 밖: 주변부로부터
Ⅲ. 영어의 안과 밖: 영어의 주변부로부터
Ⅳ. 결론
인용문헌
Abstract

참고문헌 (14)

참고문헌 신청

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0