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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
역사교육연구회 역사교육 歷史敎育 第122輯
발행연도
2012.6
수록면
209 - 239 (31page)

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초록· 키워드

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American slave narrative is the first unique literary form produced by Afro-Americans and the authors expressed themselves as the witness of slavery defining themselves as independent and free men in public. Christianity provided slave narrators religious language of expressing eagerness for freedom and justice, and functioned as an usable medium for the spiritual salvation and secular survival of slave writers.
This study focused its analysis on the autobiographies of George White, William Grimes, Mary Prince, and Moses Roper in the early nineteenth century, and found that White followed the routine of religious slave narratives of prior period and tried to exhibit himself as a faithful devotee of Christianity rather than manifesting his identity as a ‘suffering’ black slave. Grimes wrote the first runaway slave narrative, expressing personal emotions of anger and despair with descriptions of lies, tricks, and violent behaviors which he used for survival. His bold expression was unprecedented and the resistant personality was far from the honest, courteous, and faithful image of prior slave narrators.
In the 1830’s Prince and Roper published their narratives in England with a help of Anti-Slavery Society, and they showed moderation and temperance rather than anger and violence. Authors suppressed their personal emotions of anguish and sorrow, and rather focused on delivering ‘facts’ of slavery. Slave narratives in America also followed the strategy of convincing white audience with a language of composure, mildness, and tolerance. The individualistic, emotional rhetoric of Grimes’ narrative was substituted by moderate, rational rhetoric of persuasion.

목차

1. 머리말
2. 신앙과 동화의 서사
3. 저항과 분노의 서사
4. 절제와 설득의 서사
5. 맺음말

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UCI(KEPA) : I410-ECN-0101-2013-374-002637523