지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Lee Chan revised 19 poems under the North Korean regime which he wrote before the liberation from Japanese imperialism. The fact that there are different aspects on revision over one poem attracts sufficient attention. This study examined the aspects of revision and its intention. The results are as follows.
The revised poem of Lee Chan looked heavily influenced by external condition of the literary circle in North Korea in 1950s. The backgrounds include cultural language policy as a basis of literary circle in the postwar North Korea, removal of bourgeois aesthetics idea, popularization of liberal arts, exclusion of formalism and purification process. Though works were written in 1930s, they were pure lyrical poems which were under criticism. Thus, his revision looked as a preemptive measurement. Together with this, he needed a revision to show his coherent attitude at the front of literary policy in North Korea. But, as overall revision of contents was impossible, he did revise in vocabulary, disposition of stanza and rhetoric. Of course, it was a revision to conform with the literary policy but he showed a craftsmanship as a poet in the process of revision. He showed his sense of craftsman in his revision. Although he was a socialist poet in the KAPF circle, he created considerable amounts of lyrics, which looks closely related with his expression of craftsmanship.
The revised poem of Lee Chan looked heavily influenced by external condition of the literary circle in North Korea in 1950s. The backgrounds include cultural language policy as a basis of literary circle in the postwar North Korea, removal of bourgeois aesthetics idea, popularization of liberal arts, exclusion of formalism and purification process. Though works were written in 1930s, they were pure lyrical poems which were under criticism. Thus, his revision looked as a preemptive measurement. Together with this, he needed a revision to show his coherent attitude at the front of literary policy in North Korea. But, as overall revision of contents was impossible, he did revise in vocabulary, disposition of stanza and rhetoric. Of course, it was a revision to conform with the literary policy but he showed a craftsmanship as a poet in the process of revision. He showed his sense of craftsman in his revision. Although he was a socialist poet in the KAPF circle, he created considerable amounts of lyrics, which looks closely related with his expression of craftsmanship.
목차
1. 서론
2. 이찬의 삶과 문학
3. 개작시의 양상
4. 결론
참고문헌
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2013-810-003480787