지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper aims to perceive the spirit of poetry of Yu Jin-oh which runs through him and his poems. Some previous critical points for Yu Jin-oh hardly seem to be logic that explains his whole wrold of poetry. So some arguments were made out as following.
First, previous critical points for Yu Jin-oh was focussed on campaign poems which is just a part among his whole poems, thus his spirit of poetry couldn"t be discussed appropriately. In this paper his point of view found his debut poems was considered, and his realistic sense which flows under the colonial and liberal period was described as people-centered and literary practice.
Second, with the analysis of a series of campaign poems, so called poetry of propaganda or demagogy, a certain relationship between Yu Jin-oh and "Chosun Literary Men"s Alliance" and some aspects from aesthetics of form revealed in his poems were mainly considered. Yu Jin-oh not only maximized reciting places by using inversion and interrogative or asking suffix, but also tried to increase the effect of tension between speaker and listener, poet and reader.
Third, Yu Jin-oh, using the motif "window", expresses the imagery of inside and outside of window, the distance between a window and another window, so finally he reveals a kind of antagonistic effect between inside of speaker in poem and reality. Yu Jin-oh could raise up the power of fighting back, building the internalization of "window". Through this study, it was concluded that the emotion of "longing"and "sympathy" which flows through his poetry was the basis for his literary practice.
First, previous critical points for Yu Jin-oh was focussed on campaign poems which is just a part among his whole poems, thus his spirit of poetry couldn"t be discussed appropriately. In this paper his point of view found his debut poems was considered, and his realistic sense which flows under the colonial and liberal period was described as people-centered and literary practice.
Second, with the analysis of a series of campaign poems, so called poetry of propaganda or demagogy, a certain relationship between Yu Jin-oh and "Chosun Literary Men"s Alliance" and some aspects from aesthetics of form revealed in his poems were mainly considered. Yu Jin-oh not only maximized reciting places by using inversion and interrogative or asking suffix, but also tried to increase the effect of tension between speaker and listener, poet and reader.
Third, Yu Jin-oh, using the motif "window", expresses the imagery of inside and outside of window, the distance between a window and another window, so finally he reveals a kind of antagonistic effect between inside of speaker in poem and reality. Yu Jin-oh could raise up the power of fighting back, building the internalization of "window". Through this study, it was concluded that the emotion of "longing"and "sympathy" which flows through his poetry was the basis for his literary practice.
목차
1. 서론
2. 해방기 현실과 현실의 문학적 형상화
3. 창 안과 창 밖, 창과 창의 거리
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-710-000468777