지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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George III has been regarded as the villain, or worse, the dull and boring king in English monarchical history. Alan Bennett, however, revisions the king as the harbinger of modern kingship. During his ‘adness’in 1789, the king loses the authority of his speech first, and his body is made wide open to be exploited to medical doctors as well as parliamentary members. As a patient the king is purged from his kingly outfit, and is subject to a country doctor-he is bandaged, gagged, and restrained if he does not submit himself. But he gets out of the medical tyranny when he is reading King Lear and empathizes with another mad king. Reading Shakespeare, he remembers how to seem his kingly self, and he can perform himself more appropriately. Even though he is not beheaded as the king in France, it can be said that his former self is dead during this period and then he returns to speak as a modern king. Bennett presents the historical story of George III in terms of the necessity of there-presenting/performing one’ self in modern times. However, becoming modern king doesn’ last long since the hereditary disease is recurrent and would devour the king sooner or later in Bennet Land?the world full of irony with sympathy and criticism. With this epilogue overshadowing Bennett’ narrative, The Madness of George III, along with The Madness of King George, ceases to be just another Foucauldian interpretation of becoming a subject in modern times.
목차
I. 서론: 조지 3세와 앨런 베넷
II. 왕의 위엄, 유린당하는 환자
III. 광기의 치유, 혹은 길들이기
IV. 결론: 근대적 왕권의 탄생
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UCI(KEPA) : I410-ECN-0101-2014-842-000462881