지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study set out to focus on the manifestation of American representations in the serious slips of the pen’s poems and investigate their differences from those in the previous periods and their meanings. The study examined American representations in the serious slips of the pen works during the liberation period with For Whom Is Our Youth Full?, which is a poem by Yu Jin-oh that got the serious slips of the pen in 1946, and Paeans, a collection of poems by Im Hwa, whose books were banned after he got the serious slips of 1lle pen in 1947.
In For Whom Is Our Youth Full?, a poem by Yu Jin-oh, the American representation is “the new conqueror” that was Japanese imperialism with only the appearance altered. In the poem, the poet ferociously criticized the U. S. A as the successor of the colonial remnants. The speaker urged the listeners to have an awakening and critically view America in an instigating tone of voice using an ironic question many times.
Paeans, a collection of poems by Im Hwa published in 1947, was a sort of political response to the Eunghyang Event that took place in North Korea in the same year. However, a sudden order banned the book from the shelves in the store. Particularly problematic was Let’s Take Down the Flag, in which tile poet read American representations as the symbol of capitalism whose metonyms were “the foreign supervisor” and “canned goods.” Korea’s non-autonomous liberation subjected it to the American militmy administration, and he as a herald anticipated that American capitalism would exploit poor Korean people economically and have them under its control.
Getting the serious slips of the pen during the liberation period, Yu and Im exhibited very critical and pioneering perceptions of the U. S. A for the time through their American representations in their works. In the 1950s when the Cold War system was rapidly reinforced during the Korean War, it became difficult to come across negative American representations or critical perceptions of the U. S. A in South Korean literature. The study results show that the serious slips of the pen due to political ideology after liberation were very closely related to the critical perceptions of the U. S. A.
In For Whom Is Our Youth Full?, a poem by Yu Jin-oh, the American representation is “the new conqueror” that was Japanese imperialism with only the appearance altered. In the poem, the poet ferociously criticized the U. S. A as the successor of the colonial remnants. The speaker urged the listeners to have an awakening and critically view America in an instigating tone of voice using an ironic question many times.
Paeans, a collection of poems by Im Hwa published in 1947, was a sort of political response to the Eunghyang Event that took place in North Korea in the same year. However, a sudden order banned the book from the shelves in the store. Particularly problematic was Let’s Take Down the Flag, in which tile poet read American representations as the symbol of capitalism whose metonyms were “the foreign supervisor” and “canned goods.” Korea’s non-autonomous liberation subjected it to the American militmy administration, and he as a herald anticipated that American capitalism would exploit poor Korean people economically and have them under its control.
Getting the serious slips of the pen during the liberation period, Yu and Im exhibited very critical and pioneering perceptions of the U. S. A for the time through their American representations in their works. In the 1950s when the Cold War system was rapidly reinforced during the Korean War, it became difficult to come across negative American representations or critical perceptions of the U. S. A in South Korean literature. The study results show that the serious slips of the pen due to political ideology after liberation were very closely related to the critical perceptions of the U. S. A.
목차
1. 서론
2. 해방기 필화 시문학의 발생 배경과 특징
3. 식민잔재의 계승자로서의 미군정에 대한 비판적 인식
4. 비자주적 해방과 미국식 자본주의에 대한 비판적 인식
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-700-003668159