지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The poetry of Mo Yun-sook has been mainly discussed in terms of public discourse but not very often in the sense of private dimensions or the inner logic of imagination. This study aims to examine Mo’s poetry in private dimensions and explore the inner structure of imagination. Eschatological imagination and nature orientation are two axes in Mo’s poetic world. Prophetic eschatology in her early works is significant in that it criticizes Japanese colonial rule and offers vision of liberation. Existential eschatology shown in her middle years connotes self-salvation of the private subject, but has a potential side-effect, serving as anesthesia to conceal the absurdities in the real world. The eschatology in her posthumous works demonstrates the process of overcoming the fear of death, but shows limitation, indulging in solipsism.
Mo’s eschatological imagination is consistently nature-oriented. In her early poems the image of nature is public, combined with the image of a liberated fatherland, but in her middle years, it conveys the meaning of existential heaven. Nature in her posthumous poems implies a paradise where the poetic subject can rest in peace. after her death. Nature in Mo’s poetry represents an ideal world which is absent from here and now. The poetic subject is committed to narrowing the gap between the unreachable ideal of nature throughout her life. This nature orientation fuels the poet’s verse-making until the last moment.
Mo’s eschatological imagination is consistently nature-oriented. In her early poems the image of nature is public, combined with the image of a liberated fatherland, but in her middle years, it conveys the meaning of existential heaven. Nature in her posthumous poems implies a paradise where the poetic subject can rest in peace. after her death. Nature in Mo’s poetry represents an ideal world which is absent from here and now. The poetic subject is committed to narrowing the gap between the unreachable ideal of nature throughout her life. This nature orientation fuels the poet’s verse-making until the last moment.
목차
1. 서론
2. 예언자적 종말 의식과 해방된 조국
3. 실존적 종말 의식과 마음의 천국
4. 개인적 종말 의식과 사후(死後)의 자연
5. 의의와 한계
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［Abstract］
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UCI(KEPA) : I410-ECN-0101-2014-800-003347465