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논문 기본 정보

자료유형
학술저널
저자정보
Ho-Jeong Kim (Dankook University)
저널정보
대한건축학회 ARCHITECTURAL RESEARCH ARCHITECTURAL RESEARCH Vol.15 No.2
발행연도
2013.6
수록면
87 - 94 (8page)

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초록· 키워드

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Throughout the history of architecture, sometimes the main focus of design was determined by a particular visual representation method, and other times a particular form of visual representation method was required by perception of a particular architectural issue or an architectural form or idea. That is why the visual representation method of architects becomes an important means of reading the flow of idea and thinking behind architecture. This study is an investigation on the relation between architectural thinking and visual representation method expressed through the conceptual drawings by avant-garde architects of the 1970s and 80s, a period of the emergence of postmodernism. Rather than proving the objective reality regarded important by traditional architectural drawing, attempts are made to express the design concept in which the project has its base. Such interpretation and explanation regarding the concept become the main interest of the drawing. It is not that the architecture itself was not expressed in the contents, but it may not be the main subject of expression in the drawing. The value of architectural drawing recovers its value as an art work in itself, as a means of communication, and as an important conceptual tool in the design process. It can be seen that the visual representation method in postmodern architectural drawings is breaking free of the traditional objective depiction of matter and is changing and developing as a design tool of the architect.

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Abstract
1. INTRODUCTION
2. CHANGES IN VISUAL CULTURE AND VISUAL REPRESENTATION OF POSTMODERNISM
3. CHARACTERISTICS OF VISUAL REPRESENTATION METHOD OF EXHIBITION DRAWING
4. THE MEANING OF ARCHITECTURAL THINKING SEEN THROUGH THE VISUAL REPRESENTATIONAL METHOD OF EXHIBITION DRAWING
5. CONCLUSION
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