메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
김대열 (동국대학교)
저널정보
고조선단군학회 고조선단군학 고조선단군학 제27호
발행연도
2012.11
수록면
29 - 49 (21page)
DOI
10.18706/jgds.2012.11.27.29

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
The human race of the Neolithic period felt the lack while picking the stones and using them. So they stoke and broke them and modified and changed the form of the stones. This kind of the survival will of the intelligence developed the human molding ability and the manual skills.
In this process, the forming concept of being pointed and sharp obtained in the nature had become accurate and the hands were getting familiar with the material and the human race became to invent the vessels. Then finally they could be equipped with the creating power, different from the other beings growing in the nature.
Like this, the primitive human race had gotten the forming ability while using the tools. And they expressed the ability through stones and earth so the art history of the human race started from the stone ax and stone knife of the Paleolithic period.
They developed the hidden power of the life and found and developed the character of the material. They could make the pottery by using the earth character and build the house and ship by developing the wood character. The exhibiting of the character of the materialis the creation and the third creating power whichc ould be put with the harmony of thenature and the dynamic power of the world.
The primitive men could have the supersensible function and value taken in the struggle for existence. It means that they could accumulate the social value and contents amid the form of the nature and the human reason amid the sensitivity nature. It is the same with the two aspects of the objective form and subjective sense. And it became the origin of the ritual of the esthetic appreciation and the art creation.

목차

Ⅰ. 서론
Ⅱ. 도구의 사용과 창조
Ⅲ. 감각의 발달과 예술의 출현
Ⅳ. 기술의 진보와 예술 창조
Ⅴ. 결론
참고문헌
Abstract

참고문헌 (38)

참고문헌 신청

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2014-910-003230784