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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.6
- 수록면
- 321 - 342 (22page)
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This essay aims to explore the maternal fantasies which Macbeth depends on for the construction of his masculinity. The patriarchal male subject constitutes his masculinity in relation to a fantasized pre-oedipal maternal. Like most male subjects Macbeth also constructs his masculinity, going through the fantasy of escape from maternal matrix into patriarchal hierarchy. Witches’ prophecy, “None of woman born / shall harm Macbeth” makes Macbeth keep internalizing his psychological fantasy.
In the battle of Macdonwald and Macbeth, Macbeth fights with Macdonwald allied with the tainting female, the whore Fortune in his fantasy so that he sustains masculinity. Macbeth manages in the fantasy of self-birth his own caesarian section, caving his passage out from Macdonwald, the imaginary female to achieve heroic male action.
The destructive maternal fantasy and the fantasy of escape are also represented in the murder of Duncan and the encouragement of Lady Macbeth inducing the murder. Macbeth creates defensive fantasy, projecting the image of infantile vulnerability and maternal into Duncan. In addition, Macbeth projects the mother to infants sharing her hardness, born without vulnerability into Lady Macbeth then reconstitutes himself as the invulnerable male child of such a mother. However hard he tries to keep the fantasy, he is to fall into the dilemma that he can’t avoid the power of the man not born of woman, who is Macduff born by caesarian section.
In conclusion, at the beginning, it seems that Macbeth becomes the bearer of the shared fantasy that secure male community depends on the prowess of the man not born of woman, the man who can carve his own passage out. But, at the end of the play, his death disproves that the masculinity is the mark of exemption from maternal origin and the vulnerability that are its consequence metaphorically.
In the battle of Macdonwald and Macbeth, Macbeth fights with Macdonwald allied with the tainting female, the whore Fortune in his fantasy so that he sustains masculinity. Macbeth manages in the fantasy of self-birth his own caesarian section, caving his passage out from Macdonwald, the imaginary female to achieve heroic male action.
The destructive maternal fantasy and the fantasy of escape are also represented in the murder of Duncan and the encouragement of Lady Macbeth inducing the murder. Macbeth creates defensive fantasy, projecting the image of infantile vulnerability and maternal into Duncan. In addition, Macbeth projects the mother to infants sharing her hardness, born without vulnerability into Lady Macbeth then reconstitutes himself as the invulnerable male child of such a mother. However hard he tries to keep the fantasy, he is to fall into the dilemma that he can’t avoid the power of the man not born of woman, who is Macduff born by caesarian section.
In conclusion, at the beginning, it seems that Macbeth becomes the bearer of the shared fantasy that secure male community depends on the prowess of the man not born of woman, the man who can carve his own passage out. But, at the end of the play, his death disproves that the masculinity is the mark of exemption from maternal origin and the vulnerability that are its consequence metaphorically.
목차
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참고문헌 (10)
참고문헌 신청
1. [학술지(정기간행물)] - 김미애 / 2002 / 부권주의와 허구적 여성상: 「맥베스」중심으로 / Shakespeare Review 38 (1) : 25 ~ 46
2. [단행본] - Adelman, Janet / 1992 / Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, In Escaping The Matrix: The Constitution of Masculinity in Macbeth And Coriolanus / Routledge
3. [단행본] - Kahn, Coppelia / 1981 / Man’s Estate: Masculine Identity in Shakespeare / California UP
4. [단행본] - Rosenberg, Marvin / 1978 / The masks of Macbeth / California UP
5. [단행본] - Schwartz, Murray M / 1980 / Representing Shakespeare: New Psychoanalytic Essays / The Johns Hopkins UP
2. [단행본] - Adelman, Janet / 1992 / Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, In Escaping The Matrix: The Constitution of Masculinity in Macbeth And Coriolanus / Routledge
3. [단행본] - Kahn, Coppelia / 1981 / Man’s Estate: Masculine Identity in Shakespeare / California UP
4. [단행본] - Rosenberg, Marvin / 1978 / The masks of Macbeth / California UP
5. [단행본] - Schwartz, Murray M / 1980 / Representing Shakespeare: New Psychoanalytic Essays / The Johns Hopkins UP
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