지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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The following research is about the French vocabularies that appear in Lee Sang’s poems. Lee Sang (1910-1937) was Korea’s first surrealist and considered a modernist. During his short 27 years of life, his poems and novels demonstrated an avant-garde type of writing. He utilized Korean, Chinese, Japanese, French, English, Geometry, and Mathematics in his literature. Our research attempts to translate and analyze the function and meaning of the French vocabularies shown in Lee Sang’s poems. As a result, the French expressions in Lee Sang’s poems were proven to appear as Korean vocabularies’ refusal and dissolution. The method of French expressions used by Lee Sang was an experimental method and was difficult to comprehend during that time of Korean literature. Lee Sang used the French vocabularies as a single symbol, such as a mathematical composition of numbers or geometrical graphic markings. The French vocabularies that he makes use of are meaningless and supra-literary, like the poems of the French surrealists. To illustrate, the poet attempts the automatic writing, which was also used by the French surrealist poets. As an outcome, it created Lee Sang’s style of writing that can be seen nowadays. The French vocabularies from Lee Sang’s poems are characterized by the surrealistic features, such as resistance, negation, and dismantlement. Moreover, the poet opened the door for the new poetic languages and literary forms to Korean literature. To conclude, the French vocabularies in his poems are significant vocabularies that show avant-gardist and experimental characteristics. Additionally, the French expressions utilized by the poet are the principal evidence that display the universalism of Korean literature.
목차
I. 들어가는 말
II. 거부와 차용
III. 프랑스어의 무의미성과 해체
IV. 나가는 말
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UCI(KEPA) : I410-ECN-0101-2014-800-002948857