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논문 기본 정보

자료유형
학술저널
저자정보
박형진 (인하공업전문대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제22권 제4호
발행연도
2013.8
수록면
23 - 32 (10page)

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초록· 키워드

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This study represents something in common and differences of organic characteristics between early modem architecture and contemporary architecture analysing F. L. Wright’s Robie House and Toyo Ito’s Sendai Mediatheque. A natural organic body cannot be separated from the natural environment, and each part of an architecture has each own property and forms a whole at the same time. That is a basic concept of organic architecture, and a framework for analysis is set up based on it.
The followings are similarities and differences of organic concept and interpretation between Wright’s Robie House and Ito’s Sendai Mediatheque.
First, Wright’ Robie house unites with the natural surrounding, using a physically close connection to the ground. In contract, Ito’s Mediatheque shows characteristics of noncentural and fluidic space that are metaphorically reflecting tangible and intangible of factors in modem city, where there is an ambiguous physical boundary between architecture and urban environment. Next, floors, walls and ceilings of Wright’s housing as for basic building blocks are physically separated and at the same time form formative unity from the point of view of a physical and structural organic body. And continuous flow of faces of separated walls form an organism united with the nature from a physical aspect. On the contrary of this, there is an no-boudary and floating organic architecture of integrated structure from ambiguous setting of relation between architecture and urban space in Ito’s architecture. Especially, Mediatheque shows semantic integration of floating urban environmental factors through horizontal and vertical integration of horizontal slabs, vertical pipes, and skins, Last, horizontal and vertical factors of Wright’ Housing is appreciated as an basic experienced structure in terms of spacial perception and fluidic inner spaces in Wright’s housing is completed with a series of spatial experiences in a visual sense. On the other hand, no-boundary and floating space of Ito’s architecture accept user’s physical and virtual body. Especially, there is an integration transcending beyond lime and space, accepting an imaginary body and events with the course of lime at Ito’s Mediatheque.

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1. 서론
2. 유기적 건축의 기본 관점
3. 라이트와 이토 건축의 유기적 특성
4. 결론
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UCI(KEPA) : I410-ECN-0101-2014-610-002446134