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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.9
- 수록면
- 399 - 423 (25page)
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Shakespeare’s A Midsummer Night’s Dream is well-known as a romantic play with love and marriage of youth, but it is also evaluated as a strict patriarchal play with oppression of women and violence by men.
This article aims to show that men can oppress women by controlling and distorting their perspectives, for example, controlling women’s perspectives can be a patriarchal ruling method used against women for social order and hierarchy.
Violence is a common method for men to use against women to maintain their patriarchy. In this play, men use violence and also try to control women’s perspectives to maintain their rule. Hippolyta is controlled by the violence of Theseus and two young men in the woods are controlled by Oberon’s magic which makes them change their perspectives. Titania who struggles with Oberon is also controlled by his magic.
Oberon controls people’s perspectives by his magic and makes them like what he intends. Hippolyta likes Bottom’s donkey head, and Demetrius likes Helena. By controlling people’s perspectives, Oberon can solve his and other’s problems and establish his power.
Until now, men have used a lot of methods to control women, and in this play Shakespeare shows that controlling women’s perspectives can be a method to control and oppress women for social order. So men want to use irrational and supernatural power such as magic to oppress women, which can serve their patriarchy.
This article aims to show that men can oppress women by controlling and distorting their perspectives, for example, controlling women’s perspectives can be a patriarchal ruling method used against women for social order and hierarchy.
Violence is a common method for men to use against women to maintain their patriarchy. In this play, men use violence and also try to control women’s perspectives to maintain their rule. Hippolyta is controlled by the violence of Theseus and two young men in the woods are controlled by Oberon’s magic which makes them change their perspectives. Titania who struggles with Oberon is also controlled by his magic.
Oberon controls people’s perspectives by his magic and makes them like what he intends. Hippolyta likes Bottom’s donkey head, and Demetrius likes Helena. By controlling people’s perspectives, Oberon can solve his and other’s problems and establish his power.
Until now, men have used a lot of methods to control women, and in this play Shakespeare shows that controlling women’s perspectives can be a method to control and oppress women for social order. So men want to use irrational and supernatural power such as magic to oppress women, which can serve their patriarchy.
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참고문헌 (27)
참고문헌 신청
1. [학술지(정기간행물)] - 김용태 / 2004 / ＂난 참으로 진기한 꿈을 꾸었어＂: 『한여름 밤의 꿈』에서의 젠더 질서의 양면성 / Shakespeare Review 40 (3) : 541 ~ 563
2. [학술지(정기간행물)] - 김해룡 / 1998 / A Midsummer Night’s Dream 대위법”-Elizabeth 왕조의 성의 위계와 권력체계- / Shakespeare Review 33 (1) : 75 ~ 106
3. [단행본] - 나영균 / 2002 / A Midsummer Night’s Dream, In 셰익스피어 작품해설 (II) / 범한서적 : 581 ~ 598
4. [단행본] - 몬트로스, 루이즈 / 1995 / 『한여름 밤의 꿈』과 엘리자베스 시대의 문화를 형성하는 환타지들: 성별, 권력, 형식, In 셰익스피어 비평 연구 / 한신문화사 : 424 ~ 452
6. [단행본] - 오스틴, 게일 / 1995 / 페미니즘과 연극비평 / 현대미학사
2. [학술지(정기간행물)] - 김해룡 / 1998 / A Midsummer Night’s Dream 대위법”-Elizabeth 왕조의 성의 위계와 권력체계- / Shakespeare Review 33 (1) : 75 ~ 106
3. [단행본] - 나영균 / 2002 / A Midsummer Night’s Dream, In 셰익스피어 작품해설 (II) / 범한서적 : 581 ~ 598
4. [단행본] - 몬트로스, 루이즈 / 1995 / 『한여름 밤의 꿈』과 엘리자베스 시대의 문화를 형성하는 환타지들: 성별, 권력, 형식, In 셰익스피어 비평 연구 / 한신문화사 : 424 ~ 452
6. [단행본] - 오스틴, 게일 / 1995 / 페미니즘과 연극비평 / 현대미학사
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