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자료유형
학술저널
저자정보
박희영 (중앙대학교)
저널정보
대한일어일문학회 일어일문학 日語日文學 第60輯
발행연도
2013.11
수록면
195 - 214 (20page)

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초록· 키워드

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Considering the process of the image of Ubume, its diversity and meaning in Japanese female yokai tales, one cannot regard it as a simple yokai passing by in fad.
Ubume forms one large central axis in the lineage of the image of the major female yokai portrayed in the Japanese yokai culture.
The main goal of this paper is to reconsider the meaning of the critical issues associated with the origin and the development of the clear image of Ubume, by examining the lineage of the image and imagination of Ubume, which is focused on as the scope of female yokai in this paper.
This study examined the issues surrounding the name and notation of Ubume, the development of Ubume’s image within the literary transition, the background of the fundamental limitation of female yokai with relation to her feminity, birth, and children, and lastly investigated the modern transformation of Ubume used in various ways.
As a result, Ubumee was regarded as the existence of fear from the traditional image of yokai, the existence of deep grudge against dying without giving a birth to any children, and the existence of motherhood to take endless care of children.
The image of Ubume has incessantly changed and handed down within the characteristics of each region and the special circumstances faced by those who live there, experiencing those regional characteristics. In the future, the Ubume story, its derived images, the ranges of the recognition, the patterns of interpretations, and the transformations are all expected to continue to be diversified in many ways.

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〈Abstract〉
1. 들어가며
2. 우부메 이미지의 원형과 양상
3. 우부메의 문예적 전승과 흐름
4. 우부메를 둘러싼 다양한 논점들의 재확인
5. 우부메 이야기의 현대적 변용양식-『우부메의 여름』을 중심으로
6. 나가며
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UCI(KEPA) : I410-ECN-0101-2014-700-003516323