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자료유형
학술저널
저자정보
박양근 (부경대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제56권 제1호
발행연도
2014.2
수록면
19 - 36 (18page)

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This paper discusses Hawthorne’s attitudes toward the nature and outcomes of the isolation of artists, scientists, and common people as they are revealed in his short stories. First, the isolation of artists, that is aloofness from the community that characterizes the world of artists. It serves as an effective way for imaginative creation. Artists sometimes try to achieve the “home-return,” but their longing is often misguided. As a result, from Hawthorne’s perspective their alienation turns out to be inevitable. Second, scientists isolate themselves into dreams, which might be attributable to their desire for perfection that often lacks common sense. Scientists, victimized by their failure to make distinctions between illusion and reality, lead woman characters to death. Finally, Hawthorne emphasizes the effects of being away from home and being touched by the crowd. Such isolation and return are related to Hawthorne’s life and his attitudes toward brotherhood with sin. This represents a major characteristic of the American Adam in the physical world. In sum, Hawthorne embodies in his short fiction the double self of isolation and return in the modernizing of American society during the nineteenth century.

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Ⅰ. 서론
Ⅱ. 예술가의 일탈과 귀환
Ⅲ. 과학자의 소외와 좌절
Ⅳ. 생활인의 탈출과 복귀
Ⅴ. 결론
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