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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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In light of trauma theory, this article reads Coleridge’s The Rime of the Ancient Mariner as a traumatic narrative mirroring the shame-ridden experiences of a trauma survivor. In the beginning of the poem, the Mariner is ignorant of who he is, unable to recognize his fears and desires as his own or distinguish himself from his surroundings. It is the killing of the albatross that first enables him to identify himself, and it is his bloodsucking, to speak. But what follows his self-determining, self-inaugural act is, paradoxically, the presence of otherness and occurrence of the trauma. The trauma the Mariner suffers is the retroactive effect of converging two factors in order to cope with the impasse of his meaningless universe: the killing of the albatross and the curse in the dead mariners’ eye. The killing becomes a trauma by deferred action only in later connection with the curse so as not to sink in nothingness. After his seven days of deep suffering, the breaking of the curse begins when the Mariner blesses and puts into a different meaning the beauty of water-snakes with its rich attire well joined with the death-fires. That blessing is a moment of his first step toward self-abreaction, and the albatross falls off his neck. But the Mariner is not free; he is yet to fully put his story of trauma, the mystery of the shooting of the albatross and all that follows, into his sense of self and the world. His telling of the tale postpones abreaction of the trauma indefinitely, each telling postponing it yet again. The Mariner is now subject to traumatic repetition of his experience, because his traumatic event has been met with no corresponding and proportionate discharge of affect into words. At an uncertain hour when his agony returns, he is doomed to retell his ghastly tale repetitively in order to bring about the revival of the affect which was originally attached to the trauma.
목차
Ⅰ.『노수부의 노래』의 이해불가능성과 트라우마
Ⅱ. 트라우마의 사후성
Ⅲ. 앨버트로스를 쏜 행위와 주체 및 말의 탄생
Ⅳ. 사자들의 눈의 저주와 사후적 트라우마
Ⅴ. 물뱀의 축복과 이야기의 반복을 통한 정동의 상징화
Ⅵ. 트라우마의 원인체로 되돌아가 거듭 이야기하기
인용문헌
참고문헌 (30)
참고문헌 신청
1. [단행본] - 대한성서공회 / 1990 / 성경전서: 개역 한글판 / 대한성서공회
2. [단행본] - Berkoben, L. D. / 1975 / Coleridge’s Decline as a Poet / Mouton
3. [단행본] - Bestetter, Edward / 1963 / The Romantic Ventriloquists: Wordsworth, Coleridge, Keats, Shelley, Byron / U of Washington P
4. [단행본] - Fink, Bruce / 1995 / The Lacanian Subject: Between Language and Jouissance / Princeton UP
5. [단행본] - Coleridge, Samuel Taylor / 1913 / Aids to Reflection and The Confessions of an Inquiring Spirit / G. Bell and Sons
2. [단행본] - Berkoben, L. D. / 1975 / Coleridge’s Decline as a Poet / Mouton
3. [단행본] - Bestetter, Edward / 1963 / The Romantic Ventriloquists: Wordsworth, Coleridge, Keats, Shelley, Byron / U of Washington P
4. [단행본] - Fink, Bruce / 1995 / The Lacanian Subject: Between Language and Jouissance / Princeton UP
5. [단행본] - Coleridge, Samuel Taylor / 1913 / Aids to Reflection and The Confessions of an Inquiring Spirit / G. Bell and Sons
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