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자료유형
학술저널
저자정보
조우현 (성균관대학교) 조현진 (성균관대학교) 박민재 (성균관대학교)
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제15권 제4호
발행연도
2013.12
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1 - 15 (15page)

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초록· 키워드

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The stage costume in theater, along with the stage art, is the element that has the biggest visual effect in helping the audience to understand the theater. Nevertheless, in the domestic theater production system, compared with the other public performance products, the stage costume has been rented or purchased due to the lack understanding of the importance of the stage costume and budget problem, and thus the role of the stage costume has been undervalued. Such a phenomenon is more noticeable in the small scale theater. However, in this play White Neutral Nation (Original: Andorra), the production team and the directing team recognized the importance of the costume in the early stage of production, and accordingly lots of efforts, such as staff meetings and budget allocation, were made for the stage costume. As a result, the entire production process of the stage costume could be examined. Recently, performance culture in Korea has made rapid progress and diverse forms of public performances are created and planned. Accordingly, the level of audience has been rising and the interest in the stage costume is also rising. So, it can be said that not only the stage costume but also the production system that makes it are important. This research examined the production process of the stage costume only of the play White Neutral Nation but it is considered necessary to make researches on the production process of the stage costume used for the theater of different themes and public performances of different kinds and to systematize their production process of the stage costume.

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Abstract
Ⅰ. 서론
Ⅱ. 연극 ‘하얀 중립국’의 작품분석
Ⅲ. 연극‘하얀 중립국’ 의상 제작 흐름도
Ⅳ. 연극 ‘하얀 중립국’ 무대의상의 시각적 특성
Ⅴ. 결론
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UCI(KEPA) : I410-ECN-0101-2015-590-001372063