메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
김연희 (국민대학교)
저널정보
현대미술사학회 현대미술사연구 현대미술사연구 제35집
발행연도
2014.6
수록면
7 - 36 (30page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
These different versions of Holy Mary emerged in the late 20th century can be categorized in many ways. One version is a theoretical reinterpretation of topics such as life and death, social relationship and communications, spiritual healing which are somewhat distant from teachings of Catholic Church. Another Mary shows hyperfemininity symbolizing the physical and social reality of women around the world while other Mary shows an interpretation of mother-nature as a perpetrator of subordination. Therefore, we can see that Mary has become more complex and unfamiliar in a post modern society which can be summed up as diversity and uncertainty.
This is a result of some feminists and artists who saw Mary as perpetrator of dual imprisonment. They used her to sever from the era in which women were forced into physical and psychological sacrifice. The Virgin Mary was also used as a whistle-blower that brought attention to the harsh and uncertain reality as well as a caretaker for the marginalized. There is another concern - that the borrowing and reinterpretation of the Virgin Mary were inevitably accompanied by the damaging and changing of her image and ultimately, the danger of committing sacrilege. Underneath the depiction of the Virgin Mary as aggressive and provocative lied negative perspective that non-believers of Catholicism had on the excessive reverence of the Virgin Mary and Mariology as well as their intention to attack the corruption and prejudice of the Catholic Church.
Many of artists who reinterpreted the Virgin Mary were known as catholic or received catholic education, and they used it as a means of communication which could reveal the desired content and religious or social criticism to the public. The Virgin Mary was treated by many artists not only as a direct target for the criticism and doubts on Catholic church and its doctrine but also as a complex and polysemous expression of representing insecure political, economic, and cultural realities of individuals and modern society or disposing a tragic status of female, homosexuals, and minorities.

목차

Ⅰ. 들어가는 글
Ⅱ. 그리스도교의 성모마리아
Ⅲ. 20세기 후반 현대미술에 나타난 성모마리아
Ⅳ. 맺는 글
참고문헌
Abstract

참고문헌 (0)

참고문헌 신청

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2015-600-001659833