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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.8
- 수록면
- 99 - 130 (32page)
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Thackeray reiterates the British literary conventions that contrast artless Britishness with artificial Frenchness and attribute hypocrisy, duplicity, and sexual degradation to the Other, so Becky is constantly identified with the deceptiveness of France. As a symbol of Napoleon`s propaganda that a career should be open to all talents regardless of birth, Becky struggles to climb the social ladder by means of her superb artistic talents, threatening the established British social hierarchy. However, at the height of success she tumbles down the ladder due to the dishonest nature of her artistic talents, which are presented as something characteristically French that should be ostracized from the British gentility.
Amelia`s letters representing British sentimental novels can not attract George nor the reader`s attention, and thus are left out of the novel. Amelia realizes the truth about George and secures Dobbin only with the help of Becky`s supreme stroke of artistic skill. Since Amelia is revealed to be a destructive, yet tender parasite that throttles Dobbin, the moral integrity of Britishness constructed of her artlessness becomes shaky.
George`s letter to Mr, Osborne written just before the battle of Waterloo also problematizes Thackeray`s insistent effort to define Britishness through discrediting Frenchness as deception. The great red seal with the sham coat of arms that Mr. Osborne stole from a ducal family is robbed from George`s dead body. Thackeray`s revelation of the double robbery is intended to mock the patriotic rhetoric that glorifies George as a hero and to expose the deceptive nature of the simplicity and honesty of Britishness of which Mr. Osborne boasts.
Though Thackeray criticizes Becky`s writings for taking advantage of art for commercial profits, he must acknowledge that he is also dependent on the Victorian publication, where novels were produced as though in factory assembly-lines for profit. The ultimate enlightenment comes with the awareness that the idea of Britishness has become unstable during the mid-Victorian period with the influx of alien cultures into Britiain, which continually interacted with Europe and Colonies.
Amelia`s letters representing British sentimental novels can not attract George nor the reader`s attention, and thus are left out of the novel. Amelia realizes the truth about George and secures Dobbin only with the help of Becky`s supreme stroke of artistic skill. Since Amelia is revealed to be a destructive, yet tender parasite that throttles Dobbin, the moral integrity of Britishness constructed of her artlessness becomes shaky.
George`s letter to Mr, Osborne written just before the battle of Waterloo also problematizes Thackeray`s insistent effort to define Britishness through discrediting Frenchness as deception. The great red seal with the sham coat of arms that Mr. Osborne stole from a ducal family is robbed from George`s dead body. Thackeray`s revelation of the double robbery is intended to mock the patriotic rhetoric that glorifies George as a hero and to expose the deceptive nature of the simplicity and honesty of Britishness of which Mr. Osborne boasts.
Though Thackeray criticizes Becky`s writings for taking advantage of art for commercial profits, he must acknowledge that he is also dependent on the Victorian publication, where novels were produced as though in factory assembly-lines for profit. The ultimate enlightenment comes with the awareness that the idea of Britishness has become unstable during the mid-Victorian period with the influx of alien cultures into Britiain, which continually interacted with Europe and Colonies.
목차
Ⅰ. 들어가는 말
Ⅱ. 프랑스의 인공성과 영국의 소박함
Ⅲ. 아멜리아의 글쓰기와 베키의 글쓰기
Ⅳ. 베키의 프랑스적 글쓰기와 새커리의 영국적 글쓰기
Ⅴ. 나가는 말
인용 문헌
Abstract
참고문헌 (27)
참고문헌 신청
1. [학술지(정기간행물)] - Cole, Sarah Rose / 2005 / The Aristocrat in the Mirror: Male Vanity and Bourgeois Desire in William Makepeace Thackeray’s Vanity Fair / Nineteenth- Century Literature 61 (2) : 137 ~ 170
2. [학술지(정기간행물)] - Colley, Linda / 1992 / Britishness and Otherness: An Argument / The Journal of British Studies 31 (4) : 309 ~ 329
3. [단행본] - Daleski, H. M. Unities : Studies in the English Novel. Rpt. in William Makepeace Thackeray’s Vanity Fair. Ed. Harold Bloom. New York : Chelsea House / 1987 / Unities: Studies in the English Novel. Rpt. in William Makepeace Thackeray’s Vanity Fair / Chelsea House : 121 ~ 148
4. [학술지(정기간행물)] - Dames, Nicholas / 2001 / Brushes with Fame: Thackeray and the Work of Celebrity / Nineteenth-Century Literature 56 (1) : 23 ~ 51
5. [단행본] - Eliot, George / 1980 / Middlemarch / Penguin
2. [학술지(정기간행물)] - Colley, Linda / 1992 / Britishness and Otherness: An Argument / The Journal of British Studies 31 (4) : 309 ~ 329
3. [단행본] - Daleski, H. M. Unities : Studies in the English Novel. Rpt. in William Makepeace Thackeray’s Vanity Fair. Ed. Harold Bloom. New York : Chelsea House / 1987 / Unities: Studies in the English Novel. Rpt. in William Makepeace Thackeray’s Vanity Fair / Chelsea House : 121 ~ 148
4. [학술지(정기간행물)] - Dames, Nicholas / 2001 / Brushes with Fame: Thackeray and the Work of Celebrity / Nineteenth-Century Literature 56 (1) : 23 ~ 51
5. [단행본] - Eliot, George / 1980 / Middlemarch / Penguin
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