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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.8
- 수록면
- 209 - 244 (36page)
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초록· 키워드
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By focusing on Christina Reid and her play The Belle of the Belfast City, this paper aims to draw attention to the women playwrights in Northern Ireland during the Troubles, who have been actively involved in portraying the conflict in Northern Ireland and tackling the issue of Irish sectarian tensions but have been unjustly and relatively ignored.
In The Belle of the Belfast City, Reid foregrounds Belfast sectarianism and tensions within the Protestant community by focusing on the lives of three generations of women in Horner family?a Protestant Unionist family?as a microcosm of Belfast and Northern Ireland. With the anti-Anglo-Irish Agreement rally as a political setting for the play, Belle, “an Anglo/Irish Yank” and a grand-daughter of the Horner family, visits Belfast and experiences the sectarian conflict and violence of Belfast?a divided city. This paper explores Reid’s dramatization of Belfast sectarianism and Troubles of Northern Ireland by examining the family members’ discussion over the political issues and their involvement in the ‘otherization’ process. Besides sectarian ‘otherization’ of Catholics and Protestants, Reid places women as ‘Others’ and introduces the issue of racism through the new ‘Other’ figure?Belle who embodies a modern notion of hybridity and ‘new Irishness’ in Belfast. In The Belle of the Belfast City, Reid gives voices to the women characters to talk freely over political issues from the female point of view, and shows women’s granting priority to loyalty to the family over the dominant political loyalty to the unionist cause. Reid successfully adds a ‘matrilineal narrative’ to the traditional patrilineal one on the Irish stage.
In The Belle of the Belfast City, Reid foregrounds Belfast sectarianism and tensions within the Protestant community by focusing on the lives of three generations of women in Horner family?a Protestant Unionist family?as a microcosm of Belfast and Northern Ireland. With the anti-Anglo-Irish Agreement rally as a political setting for the play, Belle, “an Anglo/Irish Yank” and a grand-daughter of the Horner family, visits Belfast and experiences the sectarian conflict and violence of Belfast?a divided city. This paper explores Reid’s dramatization of Belfast sectarianism and Troubles of Northern Ireland by examining the family members’ discussion over the political issues and their involvement in the ‘otherization’ process. Besides sectarian ‘otherization’ of Catholics and Protestants, Reid places women as ‘Others’ and introduces the issue of racism through the new ‘Other’ figure?Belle who embodies a modern notion of hybridity and ‘new Irishness’ in Belfast. In The Belle of the Belfast City, Reid gives voices to the women characters to talk freely over political issues from the female point of view, and shows women’s granting priority to loyalty to the family over the dominant political loyalty to the unionist cause. Reid successfully adds a ‘matrilineal narrative’ to the traditional patrilineal one on the Irish stage.
목차
I. 들어가며
II. 생존을 위한 분파 갈등과 타자화:“이곳에서 살아야 하는 사람은 나”
III. 벨파스트의 또 하나의 타자: “아일랜드에는 여성은 없다지. 어머니와 누이와 아내만 있을 뿐”
IV. 벨파스트의 새로운 타자:벨파스트의 ‘영국계 아일랜드계 미국 흑인’
V. 나가며
인용 문헌
Abstract
참고문헌 (23)
참고문헌 신청
1. [학술지(정기간행물)] - 홍유미 / 2014 / “아일랜드 여성 극작가는 없다!”?: 북아일랜드 여성 극작가 연구—앤 데블린의 『 우리들 홀로』 를 중심으로 / 현대영미드라마 27 (1) : 123 ~ 154
2. [단행본] - Delgado, Maria M. / 1997 / Plays 1: Christina Reid / Methuen Drama
3. [단행본] - Devlin, Anne / 1986 / Ourselves Alone / Dramatists Play Service
4. [단행본] - Foley, Imelda / 2002 / The Girls in the Big Picture: Gender in Contemporary Ulster Theatre / The Blackstaff P : 58 ~ 70
5. [단행본] - Grobe, Christian / 2010 / The Methuen Drama Guide to Contemporary Irish Playwrights / Methuen : 385 ~ 404
2. [단행본] - Delgado, Maria M. / 1997 / Plays 1: Christina Reid / Methuen Drama
3. [단행본] - Devlin, Anne / 1986 / Ourselves Alone / Dramatists Play Service
4. [단행본] - Foley, Imelda / 2002 / The Girls in the Big Picture: Gender in Contemporary Ulster Theatre / The Blackstaff P : 58 ~ 70
5. [단행본] - Grobe, Christian / 2010 / The Methuen Drama Guide to Contemporary Irish Playwrights / Methuen : 385 ~ 404
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