지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중앙대학교 영상콘텐츠융합연구소 TECHART: Journal of Arts and Imaging Science TECHART: Journal of Arts and Imaging Science Vol.1 No.3
- 발행연도
- 2014.8
- 수록면
- 31 - 35 (5page)
- DOI
- 10.15323/techart.2014.08.1.3.31
이용수
초록· 키워드
오류제보하기
Everyday life represents a methodology to discover social meaning from personal records and daily activities, and exposes how one accommodates or resists a system’s demands within the cast defined by the era. It thus resonates with the recent trend in the literature of attempting to understand “me” within the historical or social “context”. Research into everyday life exposes “the other within oneself” as equivocal, repetitive, and requiring decentration. This paper focuses on My Place and My Father’s Emails, two South Korean movies, as performative documentaries that represent the world we occupy through specific “performances” that narrate everyday life. Their directors seek to answer “what am I?” by “giving a narrative account of oneself”[1] and explaining the emergence of the self and identity through the matrix of ethics, morals, and worldviews existent within the small society that is the family. Judith Butler’s philosophical questioning [1] led to identification of the narrative account of oneself as a reflective agent within a context, and the two directors realize Butler’s claim that identity is a performative construct using performative documentary. This generates performative narrative through the appropriation of everyday life, which represents currently ongoing history; it attempts to understand the world, or at least explain it through “relevant and accurate depictions” [2].
목차
Abstract
1. Introduction
2. My Family and I from an Everyday Perspective
3. Narrating Oneself through Performative Documentaries
4. Rewriting the Familial Narrative and “My” Identity
5. Conclusion
References
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