지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In this paper, I investigated the humor fiction published in the Korean Colonial Period. Combining the tradition of humor and amodern fictional structure, the humor fiction was established as one of the popular narrative genres in the 1930s. The humor fiction basically included more than one requisite among such narrative elements as an oddball human character, a reversal closing structure, and a language amusement. This genre was mainly focused on common daily lives of an ordinary citizen who lived in the modernized city rather than focused on major social issues such as the state, class, the colonial situation, and so on.
Laughing at the happenings occurred fromthe unfamiliar and foreignmodern lifestyle or the exotic actions of oddball characters, the humor fiction formed a consensus of a new way of life with a distinctive sense of a narrative genre. The comical nature of this genre embraced the inevitable modernization trend. However, this genre also implied the cold satirical perspectives against the hypocrisy and falsehood of the people who made an advantage of modernization and against the irrational infrastructure in which honest learning and efforts could not be rewarded. However, being castrated the satirical characteristics and the function to find a new standards by making consensus with laughing, the humor fiction started to be transformed into a collaborative genre to the fascist regime in the late colonial era. Thus the later works of humor fiction genre generated awkward and melancholy smile, and the genre itself transformed into a narrative which created the forced smile demanding cheerful personality which cooperated with the fascist colonial system.
Laughing at the happenings occurred fromthe unfamiliar and foreignmodern lifestyle or the exotic actions of oddball characters, the humor fiction formed a consensus of a new way of life with a distinctive sense of a narrative genre. The comical nature of this genre embraced the inevitable modernization trend. However, this genre also implied the cold satirical perspectives against the hypocrisy and falsehood of the people who made an advantage of modernization and against the irrational infrastructure in which honest learning and efforts could not be rewarded. However, being castrated the satirical characteristics and the function to find a new standards by making consensus with laughing, the humor fiction started to be transformed into a collaborative genre to the fascist regime in the late colonial era. Thus the later works of humor fiction genre generated awkward and melancholy smile, and the genre itself transformed into a narrative which created the forced smile demanding cheerful personality which cooperated with the fascist colonial system.
목차
【국문초록】
Ⅰ. 들어가며
Ⅱ. 근대 도시의 이질성과 웃음을 통한 규범 찾기
Ⅲ. 풍자적 웃음과 도피적 냉소주의
Ⅳ. 당착된 윤리와 균열된 웃음
Ⅴ. 총동원체제와 협력 장르로서의 ‘명랑소설’
Ⅵ. 나오며
참고문헌
참고문헌 (65)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
스쿠버다이빙리조트 최적화 경영 모델 개발을 위한 지역관광인프라 연계 방안 연구
엄대영
,
석강훈
한국체육과학회지
2014
.10
골프볼 브랜드 진정성이 브랜드 명성 및 충성도에 미치는 영향
이상덕
,
임영삼
한국체육과학회지
2014
.10
건강증진프로그램 참여가 건강증진 생활양식과 성공적 노화에 미치는 영향
김현수
,
황향희
,
이유진
한국체육과학회지
2014
.10
여성 태권도선수의 집단 내 구타에 대한 에코 페미니즘적 담론
오인호
,
박해완
한국체육과학회지
2014
.10
비정규직 체육지도자의 처우개선에 관한 연구
서영환
,
김공
,
신진화
한국체육과학회지
2014
.10
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-800-002651346