지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The Gyeongseong Ilbo (The Keijo Nippo) was launched on September 1, 1906 by incorporating The Daehan Maeil Sinbo (Korean Daily News) and The Seoul Press (English) and placing it under the control of the Residency- General of Korea according to a notice issued by Ito Hirobumi, the first Resident - General, and continued to be a mouthpiece for the Japanese colonial authority in Korea until October 1945, whereupon it ceased publication. This study focuses on the role of the newspaper when it was under the management of Soejima Michimasa, the newspaper’s seventh president, in the 1920s and the changes made to the tenor and tone of its articles in accordance with the policies of Japanese colonialists ruling Korea.
Soejima served as the president of the newspaper company from July 1924 to December 1927, during which time he actively worked with the Japanese Government-General of Korea to ensure successful implementation of the “cultural administration” newly devised by the Japanese colonial rulers to exercise more effective control over Korea. His service as the president of the Gyeongseong Ilbo and his commitment to the colonial policy brought significant changes to the art-related news and articles published in its pages. For instance, he created a new column, Arts and Sciences, to handle news of the art communities in Korea and Japan, and introduced more informative articles about major Japanese art exhibitions, such as the Imperial Art Exhibition and the Nika Exhibition, and Western art. These changes reflected Soejima’s plan to deal with wider issues including world news, politics, culture, and diplomacy as well as the arts, and to adapt the format and tone of the articles to the Japanese colonial authority led by Makoto Saito, thereby more actively contributing to the assimilation policy devised by the Government-General of Korea.
Soejima served as the president of the newspaper company from July 1924 to December 1927, during which time he actively worked with the Japanese Government-General of Korea to ensure successful implementation of the “cultural administration” newly devised by the Japanese colonial rulers to exercise more effective control over Korea. His service as the president of the Gyeongseong Ilbo and his commitment to the colonial policy brought significant changes to the art-related news and articles published in its pages. For instance, he created a new column, Arts and Sciences, to handle news of the art communities in Korea and Japan, and introduced more informative articles about major Japanese art exhibitions, such as the Imperial Art Exhibition and the Nika Exhibition, and Western art. These changes reflected Soejima’s plan to deal with wider issues including world news, politics, culture, and diplomacy as well as the arts, and to adapt the format and tone of the articles to the Japanese colonial authority led by Makoto Saito, thereby more actively contributing to the assimilation policy devised by the Government-General of Korea.
목차
I. 머리말
Ⅱ.『경성일보』 미술 관련 기사의 성격
Ⅲ. 새로운 구상: 1920년대 후반 『경성일보』의 미술 관련 기사
Ⅳ. 소에지마와 『경성일보』
Ⅴ. 맺음말
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ABSTRACT
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UCI(KEPA) : I410-ECN-0101-2015-600-002913703