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자료유형
학술저널
저자정보
정욱성 (남서울대학교)
저널정보
대한일어일문학회 일어일문학 日語日文學 第64輯
발행연도
2014.11
수록면
437 - 452 (16page)

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초록· 키워드

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This paper is one of today"s Japanese mainstream movie featuring a focus on healing and healing for Japan is how aggressively the film is, among many films dealing with healing through the movie in a couple of movies to learn about healing, and even Movie "glasses" is an analysis of the work through the "healing" as a feature-oriented films were investigated in Japan.
"Shall We Dance", "Dr. loved formula", "noodles", "Goodbye", "miracle" Unlike the movies, "glasses" are the subject of mental healing wounds (failed comedian, a mathematician living in facing obstacles, most of the Middle Ages, the eldest boy in the family to live apart, social prejudice, etc.) that are not targeted. Other films in healing and pain as the main character and the difficulty of overcoming this process geuryeonaet warm gaze and touch, empty, "glasses", and these are our daily lives and 〈day〉 everyday is what a true comfort and to heal us The fundamental power can the fact that the film conveys. "Glasses" to heal the sore is healing going to say, not healing, and healing itself.
In other words, will talk about healing. Going to heal the wounds of the mind and body, not to say the process of healing, and healing will be talking about themselves. "Glasses" is a film that only healing. And the healing of the characters in the movie that is suitable for the target audience, but is heading. That movie "glasses" are the subject of healing and drew in a movie rather than a movie targeted towards the outside of the "healing" movie.

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Abstract
1. 서론
2. 일본영화의 힐링에 대해서
3. ‘힐링’ 지향으로서의 영화 “안경”
4. 결론-영화 “안경” 이후
?考文?
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