지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper examines the use of split screens in Hans Canosa"s Conversations with Other Women (2005), which can be named as reminiscence of romance film, through Henri Bergson"s concept of "duree".
It is noticed that this film entirely uses split screen technique, which Hans Canosa wants to call as "dual-frame", and tells a story about a brief encounter and one night stand of a couple, who had been in love with and married to each other a long time ago and enjoys now their conversations and sex indulging in reminiscences with a complicated feeling and various emotions. I want to call this film "reminiscence of romance" that recalls the previous romance in a nostalgic mood in the present, in which the couple who had been in love with each other meet and experience again another romantic moment, or combines both. And then, I discussed, referring to Henri Bergson"s philosophy about time as a quality in which the past can coexist and be combined with the present in the form of duree pure, how this film parallels the past and the present in split screens, how these two infiltrate into each other so as to lead to the perception of romance with all kinds of emotions.
In this process, split screen techniques of three kinds of scenes were investigated: the memory of their first meeting scene, sex scene, and recognizing their parting scenes. As a result, it is revealed that even though this film tells a simple event, with the usage of split screen, it makes us experience the time of duree which Bergson mentioned and seeks a film about "romantic" instead of a romantic film.
It is noticed that this film entirely uses split screen technique, which Hans Canosa wants to call as "dual-frame", and tells a story about a brief encounter and one night stand of a couple, who had been in love with and married to each other a long time ago and enjoys now their conversations and sex indulging in reminiscences with a complicated feeling and various emotions. I want to call this film "reminiscence of romance" that recalls the previous romance in a nostalgic mood in the present, in which the couple who had been in love with each other meet and experience again another romantic moment, or combines both. And then, I discussed, referring to Henri Bergson"s philosophy about time as a quality in which the past can coexist and be combined with the present in the form of duree pure, how this film parallels the past and the present in split screens, how these two infiltrate into each other so as to lead to the perception of romance with all kinds of emotions.
In this process, split screen techniques of three kinds of scenes were investigated: the memory of their first meeting scene, sex scene, and recognizing their parting scenes. As a result, it is revealed that even though this film tells a simple event, with the usage of split screen, it makes us experience the time of duree which Bergson mentioned and seeks a film about "romantic" instead of a romantic film.
목차
1. 들어가는 말
2. 후일담 로맨스
3. 베르그송의 지속
4. <낯선 여인과의 하루>의 화면 분할
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-688-000997723