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초록· 키워드
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Buddhism which was started in India was introduced in Later Han(漢) Dynasty. From the era of Two Jin Dynasty(兩晉) and Three Kingdoms(三國時代), East Asian unique Buddhist culture was established as it was brought to Korea and Japan after sinicized. Most of all, in terms of acceptance and transformation of Buddhist art, locality and universality, some researchers have paid attention to the sinicization of Buddhist architectures and sculptures thus the various studies regarding it have been published.
With the purpose of this study that is to investigate the origin and sinicizing process of Buddhist temple structure, I studied the principles of space composition. Additionally, on the basis of literature materials, I researched the origin of temples constructed with two-towered and one main building that was popular style both in Korea and Japan since late 7th century. As a result, I reached the following conclusions.
First, the main building of Chinese Buddhist temple is built at the center of south and north. The origin of this composition is from the concept of sitting 12 o’clock position(子坐午向) and I could find this recognition in Chinese ritual rules(禮制).
Second, Buddhist temple, I assume, was composed according to three treasures(三寶) and it was confirmed by Vinaya Pitaka(律藏) and the book, Record of changes of Building Materials in Koryuji-temple(廣隆寺資財交替實錄帳). On purpose of placing Buddha statue and worshiping, in my opinion, Chinese traditional shrine style was applied to Buddhist temple.
Third, I point out that Buddhist architecture was consisted of the ritual space and discussing and lecturing space and this composition corresponds to the space composition principles of miaoxue(廟學) architecture, however, it is not possible that the rules of space composition of Buddhist and miaoxue architecture was same in the Period of Wei(魏) and Jin and North and South Dynasties.
Fourth, as origin of two-towered Buddhist temple, which appeared in Unified Silla period, was found at Gwangmingsi(光明寺)-temple in Sui(隋) dynasty, Buddhist art in Sui dynasty would have influence to the early Unified Silla period.
With the purpose of this study that is to investigate the origin and sinicizing process of Buddhist temple structure, I studied the principles of space composition. Additionally, on the basis of literature materials, I researched the origin of temples constructed with two-towered and one main building that was popular style both in Korea and Japan since late 7th century. As a result, I reached the following conclusions.
First, the main building of Chinese Buddhist temple is built at the center of south and north. The origin of this composition is from the concept of sitting 12 o’clock position(子坐午向) and I could find this recognition in Chinese ritual rules(禮制).
Second, Buddhist temple, I assume, was composed according to three treasures(三寶) and it was confirmed by Vinaya Pitaka(律藏) and the book, Record of changes of Building Materials in Koryuji-temple(廣隆寺資財交替實錄帳). On purpose of placing Buddha statue and worshiping, in my opinion, Chinese traditional shrine style was applied to Buddhist temple.
Third, I point out that Buddhist architecture was consisted of the ritual space and discussing and lecturing space and this composition corresponds to the space composition principles of miaoxue(廟學) architecture, however, it is not possible that the rules of space composition of Buddhist and miaoxue architecture was same in the Period of Wei(魏) and Jin and North and South Dynasties.
Fourth, as origin of two-towered Buddhist temple, which appeared in Unified Silla period, was found at Gwangmingsi(光明寺)-temple in Sui(隋) dynasty, Buddhist art in Sui dynasty would have influence to the early Unified Silla period.
목차
Ⅰ. 머리말
Ⅱ. 가람배치와 중국의 禮制
Ⅲ. 가람의 구성원리와 건물의 형식
Ⅳ. 불교의 가람과 廟學건축
Ⅴ. 2탑식 가람배치의 출현
Ⅵ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2016-650-001055484