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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.12
- 수록면
- 87 - 94 (8page)
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초록· 키워드
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Today, the growing number of international architects enters the open market of South Korean architecture and interior from exhibition spaces such as art galleries to buildings of major companies. Establishing new local landmarks, their works have a considerable influence on the development of architecture. Among many, French architect Jean-Michel Wilmotte has worked consistently in South Korea.
The purpose of this study is to analyze and put together the expression characteristic of the interior design in his exhibition spaces including Gana Art Gallery. Jean-Michel Wilmotte has designed based on the history, culture, society, and arts in France and other European countries, and is influenced by architects like Charles Rennie Mackintosh, Josef Hoffmann, and Carlo Scarpa. Such an influence is shown in the form of contrast between verticality and horizontality as well as the fortification in his modern classical characteristic, which is one of his expression characters. In this his work of improving the ancient architecture, Wilmotte is good at creating a modern space through contextual expression, and the textural contrast between materials of the past and the present. Thus I performed an analysis of the expression characteristic of the interior design in National Museum of Contemporary Art of Chiado in Lisbon, Cognac Hennessy Museum in France, Gana Art Gallery in Korea, Musee du President Jacques Chirac in Sarran, France, Ullens Center for Contemporary Art (UCCA) in Beijing, and lastly Musee d’Orsay in Paris. The results show that he maintains the spatial context by applying contemporary design to the preserved existing structure, continues the flow of exhibition through the lightings in the corridors and on the ceiling, and seeks for a balance by adding vertical or horizontal elements to the elevation. In the interior, the staircase and exhibition structure are turned into objects, and the contrasting texture of the wall vitalizes the space. Wilmotte redesigns the space of the past and the present by using indirect joint that allows an organic connection of the old and new structures, and by minimizing the conflict between the two elements through prefabrication. The expression character of his interior design will be potential resources architects and interior designers to develop their own design languages.
The purpose of this study is to analyze and put together the expression characteristic of the interior design in his exhibition spaces including Gana Art Gallery. Jean-Michel Wilmotte has designed based on the history, culture, society, and arts in France and other European countries, and is influenced by architects like Charles Rennie Mackintosh, Josef Hoffmann, and Carlo Scarpa. Such an influence is shown in the form of contrast between verticality and horizontality as well as the fortification in his modern classical characteristic, which is one of his expression characters. In this his work of improving the ancient architecture, Wilmotte is good at creating a modern space through contextual expression, and the textural contrast between materials of the past and the present. Thus I performed an analysis of the expression characteristic of the interior design in National Museum of Contemporary Art of Chiado in Lisbon, Cognac Hennessy Museum in France, Gana Art Gallery in Korea, Musee du President Jacques Chirac in Sarran, France, Ullens Center for Contemporary Art (UCCA) in Beijing, and lastly Musee d’Orsay in Paris. The results show that he maintains the spatial context by applying contemporary design to the preserved existing structure, continues the flow of exhibition through the lightings in the corridors and on the ceiling, and seeks for a balance by adding vertical or horizontal elements to the elevation. In the interior, the staircase and exhibition structure are turned into objects, and the contrasting texture of the wall vitalizes the space. Wilmotte redesigns the space of the past and the present by using indirect joint that allows an organic connection of the old and new structures, and by minimizing the conflict between the two elements through prefabrication. The expression character of his interior design will be potential resources architects and interior designers to develop their own design languages.
목차
Abstract
1. 서론
2. 장 미쉘 빌모트에 대한 이론적 고찰
3. 장 미쉘 빌모트의 실내공간에 나타난 디자인 표현특성
4. 장 미쉘 빌모트의 전시공간 실내디자인 표현특성 사례분석
5. 결론
참고문헌
참고문헌 (16)
참고문헌 신청
1. [단행본] - 윤재희 / 2006 / 건축가와 모던 클래식 / 세진사
2. [단행본] - ues Lucan / 2006 / 프랑스 현대건축의 역사와 이론 1940-2000 / 시공문화사
3. [단행본] - François Lamarre / 2008 / Jean-Michel Wilmotte, Architecture at work / Groupe Moniteur
4. [단행본] - Jean-Grisoni / 2005 / Wilmotte L’instinct architecte / Le Passage
5. [학위논문] - 김성혜 / 2002 / 매킨토시 작품에 나타난 공간표현 특성에 관한 연구 / 석사 / 협성대
2. [단행본] - ues Lucan / 2006 / 프랑스 현대건축의 역사와 이론 1940-2000 / 시공문화사
3. [단행본] - François Lamarre / 2008 / Jean-Michel Wilmotte, Architecture at work / Groupe Moniteur
4. [단행본] - Jean-Grisoni / 2005 / Wilmotte L’instinct architecte / Le Passage
5. [학위논문] - 김성혜 / 2002 / 매킨토시 작품에 나타난 공간표현 특성에 관한 연구 / 석사 / 협성대
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